Cappella Records earns its first GRAMMY® Nomination!

Sheehan Liturgy - GRAMMY® Nomination

Cappella Records, the record label of Cappella Romana, is thrilled to announce its first release to earn a GRAMMY® nomination! 

The Recording Academy just nominated Cappella Records’ 2020 release of Sheehan: Liturgy of Saint John Chrysostom, conducted by the composer, Benedict Sheehan and featuring Michael Hawes, Timothy Parsons, Jason Thoms, and The Saint Tikhon Choir for the Best Choral Performance.

Hear this GRAMMY®-nominated work LIVE in Seattle, Portland, and Lake Oswego December 3-5, conducted by the GRAMMY®-nominated composer/conductor Benedict Sheehan! In-person in the Northwest, and beginning December 10, video-on-demand worldwide.  More information here.

“The vision of Cappella Records is to extend our work to peer ensembles that serve our mission,” says Mark Powell, Executive Director of Cappella Records and Cappella Romana. “It is only rarely that a piece of this standard comes into the repertoire, and I hope that many more ensembles will program it as a result of this nomination.”

All of us at Cappella Records send hearty congratulations to conductor and composer Benedict Sheehan, the production team at Soundmirror (Blanton Alspaugh, producer), and all the singers who made this album!

The roster of The Saint Tikhon Choir for this release also includes several familiar members of Cappella Romana: Richard Barrett, Kristen Buhler, Photini Downie-Robinson, David Hendrix, Glenn Miller, and Mark Powell.

The Recording Academy also nominated Blanton Alspaugh for Producer of the Year, Classical for a portfolio of recordings including Cappella Records releases, Hymns of Kassianí (Alexander Lingas and Cappella Romana) and Sheehan: Liturgy of Saint John Chrysostom (Benedict Sheehan & The Saint Tikhon Choir).

About Cappella Records

Cappella Records is the label operated by the vocal ensemble Cappella Romana, which combines passion with scholarship in its exploration of early and contemporary music of the Christian East and West, both on its own and in collaboration with peer artists and ensembles all over the world. 

Cappella Records has released over 25 titles, including the recent Billboard chart-topping Lost Voices of Hagia Sophia. 

More recordings and information at 

Richard Barrett joins Cappella Romana in new senior-level role

Richard Barrett
Richard Barrett

I am so happy to announce our newest addition to the Cappella Romana team, Richard Barrett. Richard joins us in a newly created senior position of Director of Publications, Grants, and Operations.


You may already know him as a part of Cappella Romana’s community, as he has collaborated with us on a broad range of projects. A member of our roster of singers since 2014, he most recently appeared in September 2021’s A COVID Requiem program.

He also co-produced the 2018 premiere performances and forthcoming recording of Heaven and Earth: A Song of Creation (Psalm 103), and he has already contributed to a new pending publication of medieval Byzantine chant from Grottaferrata.

Richard’s unique professional background also includes experience in nonprofit advancement and administration, scholarship, and church music. He will be working on publications of all kinds, including our recording releases on Cappella Records, new grant research and writing, and operations.

Please join me in welcoming Richard to the Cappella Romana team.

Mark Powell
Executive Director



Portland, OR – November 9, 2021 – Cappella Romana is pleased to announce the appointment of Richard Barrett as Director of Publications, Grants, and Operations, effective November 9, 2021.         

The appointment concludes a very competitive international search, which attracted candidates from across North America and Europe.

“I am so pleased to welcome Richard to Cappella Romana’s leadership team,” said executive director Mark Powell. “His broad engagement with Orthodox sacred music, the arts and technology, and the academy as well as non-profit administration and fundraising made him the ideal candidate. Out of a very competitive slate, music director Alexander Lingas and I agreed that Richard was ideal as we forge ahead in new strategic directions.”

“I believe strongly in Cappella Romana’s vision and mission,” said Richard. “Cappella Romana has influenced me and my professional path since I sang in 1997’s Taverner/Tavener program as part of The Tudor Choir. This experience inspired me to pursue Orthodox music, liturgy, and spirituality in scholarship, advocacy, and engagement.”

Richard continued, “I am honored to have the opportunity to serve an organization that has made such a difference in my own life.”

Richard Barrett was most recently Executive Director of AGES Initiatives. He is the Artistic Director and co-founder of the The Saint John of Damascus Society, and Director of Music at Holy Dormition Greek Orthodox Church in Somerville, Mass. He studied Byzantine chant with Dr. Ioannis Arvanitis, Fr. Romanos Karanos, and John Michael Boyer.

He sings regularly with ensembles such as Cappella Romana, The Saint Tikhon Choir, Psaltikon, the Archdiocesan Byzantine Choir of the Greek Orthodox Archdiocese. Orthodox churches and sacred music conferences regularly invite him as a clinician, speaker, and singer. The National Forum of Greek Orthodox Church Musicians recently appointed him co-chair of the Liturgical Music Education Committee, and since 2016 he has served as Chant Liaison to the Boston Federation of Greek Orthodox Church Musicians.

He holds an M.A. in Ancient History and a B. Mus. in Vocal Performance, both from Indiana University, and a Performer’s Certificate in Byzantine Music from Holy Cross Greek Orthodox School of Theology.  Publications include peer-reviewed articles in The Journal of Early Christian Studies and Studia Patristica, as well as essays on Orthodox musical topics in print and online venues. He lives in Boston with his wife Megan and their children Theodore and Katherine.

About Cappella Romana

Cappella Romana is a professional vocal ensemble that performs early and contemporary sacred classical music in the Christian traditions of East and West. The ensemble is known especially for its presentations and recordings of medieval Byzantine chant (the Eastern sibling of Gregorian chant), Greek and Russian Orthodox choral works, and other sacred music that expresses the historic traditions of a unified Christian inheritance. Its recording label Cappella Records has released over 25 titles and its publication arm has two forthcoming volumes.

Contact: Mark Powell, Executive Director

[email protected]

(503) 236-8202

Choir and Organ Five Star Review for Hymns of Kassianí

The October 2021 issue of Choir & Organ magazine features a five-star review of Cappella Romana’s Hymns of Kassianí recording:

“There’s surely no group more qualified to release the music of the earliest known female composer – a ninth-century Byzantine religious phenomenon. … Her work, now risinga bove earlier censorship and misogynist misattribution, is here celebrated with hugely impressive, authoritative scholarship and performance practice, sonorously glorious vocal colour, and pride by the male and female voices of Cappella Romana… This SACD, recorded in solemnly monumental acoustics, captures both spirit and music with divine intensity.”

—Rebecca Tavener, Choir and Organ

See the full review in Choir & Organ magazine

Cappella Romana Returns to Europe

Cappella Romana returns to Ireland and the Netherlands this month, first to make two recordings in Ireland and then to give the festival finale concert at The Utrecht Early Music Festival, Netherlands.

The ensemble will first gather under the auspices of the Limerick Early Music Festival to film a concert for showing at the Iași Byzantine Music Festival (Romania) in October. The film will feature medieval Byzantine chants from the Monastery at Grottaferrata in honor of St. Benedict. These include newly edited chants supported by a major grant from the National Endowment for Humanities. 

Cappella Romana will then record sessions for a future new release: Sir John Tavener’s Panikhida (Orthodox Memorial Service for mixed choir) and Byzantine Chants for Funeral in English. Cappella Romana associate director John Michael Boyer composed these chants for Sir John’s funeral, which took place in November 2013 at Winchester Cathedral.

Later in September, the Panikhida and the funeral chants will open Cappella Romana’s Pacific Northwest concert series in a program entitled A COVID Requiem.

In the Netherlands, Cappella Romana will give the festival finale concert on September 5 at the Utrecht Early Music Festival, the largest of its kind in the world. The ensemble will sing Lost Voices of Hagia Sophia in the virtual acoustics developed by the Center for Computer Research in Music and Acoustics at Stanford University.

This is Cappella Romana’s third appearance at this prestigious event. The Festival is only admitting fully vaccinated audiences before fully vaccinated artists.

For these projects, Cappella Romana is drawing singers and crew from four countries: UK, Ireland, Greece, and from all over the US. 

In October, Cappella Romana will perform Robert Kyr’s environmental oratorio, A Time for Life, in the Basilica of Notre Dame University in Indiana. The invitation-only performance will be given before His All Holiness Bartholomew, Archbishop of Constantinople-New Rome and Ecumenical Patriarch. 

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Hymns of Kassianí in Gramophone!

The August 2021 Issue of Gramophone Magazine features a wonderful new review for Cappella Romana’s Hymns of Kassianí recording!

“The booklet includes Lingas’s excellent, lengthy background essay on Kassianí, her reception and the historical context of medieval Byzantine chant, along with the original Greek texts and translations.

Recognised among the pre-eminent interpreters of Eastern Orthodox chant, Cappella Romana are ideally suited to the task, combining deep familiarity with the tradition and advances in scholarship relating to historic performance practice (involving, for example, the use of drones, ornamentation and rhythmic articulation and countervailing distortions resulting from the Western lens of Gregorian chant).

What makes this album so remarkable, in addition to its focus on the first extant music known to be by a female composer, is the genuinely transportive effect of the a cappella singing, which varies among male, female and mixed-choir settings for the 15-voice ensemble and is captured on surround-sound SACD. Sung with such focus, balance and clarity, Kassianí’s time-defying flow of melodies imparts serene glimpses into eternity.”

—Thomas May, Gramophone

See the full review in the August issue of Gramophone and on

Cappella Romana returns to the recording studio this month!

Heaven and Earth, with John Tavener’s Ikon of Light.

Guest post by Richard Barrett, Artistic Director of The Saint John of Damascus Society

In July 2012, nine years ago this month, my friend Dr. Harold Sabbagh and I had initial conversations about a spark of an idea. He was infectiously enthusiastic about CERN’s then-recent confirmation of the existence of the Higgs boson.

He then asked me, “How can we produce a unique musical and artistic work of art that both draws inspiration from humanity’s legacy of scientific inquiry and discovery while also having an Eastern Orthodox voice, perspective, and beauty?”

The Vesperal psalm, Psalm 103 (LXX numbering), was an obvious framework for the concept. This psalm celebrates creation, micro- and macrocosmic.

In October 2013, we brought together six contrasting Orthodox composers to Bloomington, Indiana: Matthew Arndt, John Michael Boyer, Alexander Khalil, Kurt Sander, Richard Toensing of blessed memory, and Tikey Zes. We asked them to rise to a very specific challenge. Each set a section of Psalm 103 in his own distinct musical idiom while still producing a single piece of music as a unified whole. These idioms included Byzantine chant, Russian polyphony, Georgian chant, and contemporary American choral writing.

In June 2015, the composers completed the score, titled Heaven and Earth: A Song of Creation. Directed by composer John Michael Boyer in October 2018, Cappella Romana premiered the work to standing ovations.

We intended to perform Heaven and Earth in New York at the biennial American conference of the International Society for Orthodox Church Music in July 2020, and to record the piece immediately after.

As we all know, 2020 did not go as planned. Heaven and Earth remained a priority for Cappella Romana regardless. Our friend and close collaborator Vladimir Morosan at Musica Russica published the score. This lovely performing edition is now available to all. We then dedicated ourselves to making the recording as soon as it was feasible.

Now, the sessions for Heaven and Earth will mark Cappella Romana’s return to in-person, vaccinated, unmasked, non-socially distanced music-making!

We are planning a fall release for the disc: the first post-COVID release on Cappella Records.

As the chief advocate and custodian of the project’s vision, I am deeply humbled by care and commitment that everybody has devoted to the work: John Michael Boyer’s thorough preparation of the score, Mark Powell’s and Alexander Lingas’ generous and collaborative spirit, Grammy-winning producer Blanton Alspaugh’s handling of its sonic challenges, and the sheer skill of the singers in bringing this rich stylistic tapestry to life.

I am also honored by the confidence with which Mark, Alexander, and John chose to pair Heaven and Earth with Sir John Tavener’s Ikon of Light. Tavener was a pioneer and forerunner without whom Heaven and Earth could not exist, and I am thrilled to experience the pairing.

A final thought: Much has happened since 2012 when we conceived The Psalm 103 Project, and our world has changed even more since the premiere of Heaven and Earth in 2018. However, changed world or no, the project’s vision is as relevant now as it ever was.

In the psalmist’s beautiful words as rendered by our dear departed friend Fr. Ephrem Lash, “God reveals the majesty of His divinely created order to us.”

In this sense, science is nothing less than the methodology through which we can learn about the world God made. This is a lesson we can all take to heart after the challenges and the discoveries of the last two years, and apply it just as well to the stunning images of the M87 black hole as to life-saving medical research. The beautiful work of our composers provides a sublime guide to Psalm 103 that we hope will help people reach that understanding.

American Record Guide Reviews Hymns of Kassianí

The July/August 2021 issue of American Record Guide features a review of Cappella Romana’s new Hymns of Kassianí recording:

“This is a recording I have long awaited. While the name of the Orthodox nun Kassia (or Kassiani, c.810-c.895) has slowly entered scholarly studies of music in the Middle Ages, her reputation has suffered from the apparent prejudice in most surveys of music in medieval Europe that has ignored discussing the rich and unique Byzantine musical traditions. The recordings by Cappella Romana have done an important service in making Orthodox chant better known. … As is now expected from Cappella Romana, the performances are polished, and the booklet also contains complete texts and translations. This is one of the most significant recordings of medieval music to appear recently. I hope it will open both ears and minds to Kassia’s richly imaginative musical voice.”

—Charles E Brewer, American Record Guide

See the full review in the July/August 2021 issue of American Record Guide.

Letter from Mark Powell, Executive Director

Hymns of Kassianí

Introduction to Cappella Romana’s 30th Anniversary Season

Dear Friends and Supporters,

In late winter we usually are ready to share our next season with you, but given how this year has proceeded, we decided to wait until now to make any announcement.

Over the last year, we have not lain dormant. Cappella Romana’s recording label Cappella Records has had a great year, especially with Lost Voices of Hagia Sophia, which ran on the Billboard Chart for 44 weeks. I hope you were able to engage with our online explorations, including a Christmas program that was seen around the world by over 60,000 people, and our recent webinars on topics around race, gender, style, and language in sacred music.

And our latest release Hymns of Kassianí continues to receive rave reviews, including a recent review in the UK that called it “the current reference for this rather special repertoire” (MusicWeb International).

We have taken time to listen and reflect, create and plan for a future ahead.

Now that more vaccinations are being administered and cities return to low-risk categories, I am pleased to announce our plans for next season, Cappella Romana’s 30th Anniversary Season: RESURRECTION.

This is a year to bring music back to life!

We will begin our 30th year with recording projects in the summer (all singers will be vaccinated!), followed by our third appearance at the Utrecht Early Music Festival in the Netherlands, where we will perform Lost Voices of Hagia Sophia as the festival’s finale concert in the TivoliVredenburg Concert Hall.

Our Northwest series will begin in late September with A COVID Requiem, featuring music for funerals from the Orthodox tradition, music that gives hope after a traumatic year and half behind us. We’ll be reaching out to you to ask you for names of family and friends who passed away due to COVID, so that we sing this program in their memory.

In October, the ensemble has been invited to perform before His All Holiness Bartholomew, Archbishop of Constantinople-New Rome and Ecumenical Patriarch on a tour at the University of Notre Dame, where His All Holiness will be recognized for his work on the Environment with an honorary doctorate. We will perform Robert Kyr’s A Time for Life, inspired by His All Holiness; just before we will give a tour send-off concert in Portland of the same.

Postponed from this current season, we will present the stunningly beautiful Liturgy in English by Benedict Sheehan in December, the recording of which by the Saint Tikhon Choir (on our label Cappella Records) continues to receive accolades.

For January 2022, Alexander Lingas has been working steadily on a newly researched project of Greek and Latin music for an auspicious occasion from Christmas 1400: The visit of Manuel II, the Byzantine (East Roman) Emperor to the court of Henry IV in London. No other ensemble in the world has explored this meeting from musical perspective, making this a world premiere program. We know that Manuel brought with him cantors and priests to sing daily services: imagine medieval Byzantine chant sung in London over 600 years ago! We will record this program, A Byzantine Emperor in King Henry’s Court, for future release. (Yes, with a friendly nod to Mark Twain’s 1889 novel!).

In February, Cappella Romana will perform Arvo Pärt‘s largest a cappella work, the rapturous Kanon Pokajanen (Kanon of Repentance). As it turns out, this was the subject of my own master’s thesis many years ago, so I’m particularly thrilled with this program, and I expect you will be too!

After some more recording projects and a tour to the Midwest, we will conclude the Northwest series with From Constantinople to California, an intoxicating mix of Byzantine chants and choral music from a new school of Greek composers working in California who infused it with Renaissance style and Hollywood flair.

So many of you continued to support us during this year when traditional programming wasn’t possible. We are so grateful for your support during this difficult time.

Cappella Romana is poised to resurrect our voices this coming season, to serve you again with extraordinary experiences of music of beauty and power from East and West.

Music director Alexander Lingas and I look forward to seeing you in person very soon. Stay tuned by checking back at our website for updates.

Yours always,

Mark Powell
Executive Director
Cappella Romana