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Cappella Romana Passion Week Performance a “World-Class Arts Event”
Portland Monthly Magazine has a Spring “Guide to the Season’s World-Class Arts Events” and tabs our April 11th Passion Week concert at St. Mary’s Cathedral. “In April, vocal ensemble Cappella Romana performs the world premiere of Maximilian Steinberg’s Passion Week, the last major sacred work composed in Russia before Stalin cracked down on religious art.
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Toronto Early Music News Reviews Mt. Sinai: Frontier of Byzantium
The Toronto Early Music News Winter 2014 issue has a new review of our Mt. Sinai: Frontier of Byzantium recording! “This music speaks to a higher self; its target is the divine and focuses the soul in direct union with God. One of its features is the luxurious usage of time. Time seems to be
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Alexander Lingas Talks Passion Week Cycle on the Orthodox Arts Journal
Alexander Lingas has a new article on the Orthodox Arts Journal on the re-discovery of Maximilian Steinberg’s Passion Week Cycle, Op. 13! The article, “Passion Week, Opus 13 by Maximilian Steinberg (1883–1946): The Recovery of a Neglected Musical Contribution to the Russian Religious Renaissance” traces the history of the Russian Religious Renaissance and the story
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InfoDad review for Hymns of Kassianí
Family-focused review site, InfoDad, reviews our Hymns of Kassianí as a “revelatory” release: “The excellent and expressive voices of Cappella Romana are ideally suited to introduce the music of Kassianí to a wider audience, which is just what they do in a new recording on the ensemble’s own label. Under the sensitive and knowing direction
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Audiophile Audition Gives Five Stars to Hymns of Kassianí
Audiophile Audition gives a five-star review to Cappella Romana’s Hymns of Kassianí recording: “Kassia is especially known for one particular piece, the Hymn of Kassiani, so-called because of its placement in the orthros (matins) service of Holy Wednesday. It is a masterly composition of great pathos, commemorating the harlot who anointed the feet of Jesus and
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Five Stars for Benedict Sheehan’s Liturgy from Audiophile Audition
Audiophile Audition‘s Steven Ritter gives a five-star rating to Benedict Sheehan and the Saint Tikhon Choir’s recording of Benedict Sheehan’s Divine Liturgy of Saint John Chrysostom: “The work itself is fresh and vibrant… Orthodox worship is not to play solely to the emotions, but to provoke gratitude and compunction in the hearers. The above statement
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St. Tikhon Choir Gives a “Stunning Debut”
Cinemusical gives stars across the board to the Saint Tikhon Choir’s recording of Benedict Sheehan’s Liturgy of St. John Chrysostom on Cappella Records: “The work is a blend of liturgical components (litanies, various antiphons and hymns, an “Our Father”, communion, blessing) and psalm settings (Sheehan adapted Psalms 145 and 148). There are references to ancient
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Sheehan’s Liturgy offers a much needed refuge
HRAudio.net’s Adrian Quanjer reviews Benedict Sheehan’s Liturgy of St. John Chrysostom: “‘In times of difficulty and insecurity, like now with a highly contagious virus spreading over the world, people will search for something tangible to hold on to. Something that gives warmth and hope, doesn’t change and has already for a long time been an
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Four Stars from ConcertoNet for Benedict Sheehan’s Liturgy of Saint John Chrysostom
ConcertoNet‘s Linda Holt gives Four Stars to the Saint Tikhon Choir’s recording of Benedict Sheehan: Liturgy of St. John Chrysostom on Cappella Records: “a recording which succeeds fully as a musical work, albeit one that follows strict compositional and theological guidelines. Despite the heaviness of its intention, I found this work surprisingly elegant and light,
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Benedict Sheehan Brings the Liturgy of Saint John Chrysostom to Life
“While listening, I closed my eyes and just let the voices of the Saint Tikhon Choir bring the liturgy alive in music. … In all honesty, the voices of the choir performing Sheehan’s setting gave me chills. This is an album I’ll be listening to often. I highly recommend this album to those who enjoy



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