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Director Update – Associate Music Director John Michael Boyer to conduct Rautavaara All-Night Vigil in Portland and Seattle
John Michael Boyer will conduct Cappella Romana in this week’s performances of the All-Night Vigil by Einojuhani Rautavaara, replacing Timo Nuoranne. Nuoranne’s visa has been held up at the US Consulate in Frankfurt, Germany, in part due to a State Department delay in the days leading to the inauguration. Film: John Michael Boyer in rehearsal
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Cappella Romana presents: The Arvo Pärt Festival
The first-ever festival in North America dedicated to the music of Estonian Orthodox composer Arvo Pärt will take place February 5 – 12, 2017 in Portland, Oregon, presented by the Northwest’s leading professional chamber choir, Cappella Romana. Arvo Pärt is the most performed living composer in the world. Full information. The Arvo Pärt Festival features
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Byzantine Music in Cyprus
Manuscripts of Byzantine chant copied through the middle of the fifteenth century show that Cyprus remained closely tied to the musical mainstream of Byzantium. The two hymns (stichera) from the Greek office for St Hilarion included on the present recording are excerpts from a longer sequence of hymns interpolated on the eve of his feast
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Latin Music in Cyprus
Literary witnesses to the cultivation of music by the French kings of Cyprus are found in a variety of sources, but nearly all of the surviving music associated with the Lusignan court is contained in a single manuscript: Torino Biblioteca Nazionale Universitaria J.II.9. This remarkable document was, according to Karl Kügle (2012), evidently copied between
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Cyprus — The Ars nova and its Byzantine Counterpart
Latin and Greek sacred music of the Middle Ages shared both roots in the Christian psalmody of Roman Late Antiquity and a common inheritance of Ancient Greek musical theory. Despite centuries of troubled relations between Byzantine Christianity and the Church of Rome that went from bad to worse with the Crusader sack and occupation of
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Medieval Cyprus Between East and West
Located at a strategic point in the Eastern Mediterranean close to the coasts of Asia Minor (modern Turkey) and the Middle East, the island of Cyprus has been a site of commercial and cultural interchange since the dawn of civilization. Christianity came to the island with the apostles Paul and Barnabas, the latter of whom
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Maximilian Steinberg: Passion Week LP Available Now!
Now Available on Deluxe Limited-Edition 180-gram Vinyl LP Maximilian Steinberg: Passion Week The long-awaited vinyl LP format of Passion Week by Maximilian Steinberg is now available for purchase! Limited edition format with embossed, gatefold display packaging and exclusive behind-the-scenes photography. Includes a code for digital download of Steinberg’s Passion Week PLUS motets by Rimsky-Korsakov. Includes:
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MusicWeb International Reviews Good Friday In Jerusalem
MusicWeb International critic Garry Higginson recalls his own Holy Week in Jerusalem experience while listening to Cappella Romana’s new Good Friday in Jerusalem recording: “Jerusalem was filled with people of all nations, as befits a city of pilgrimage. Droves of superior-looking tourists who had come to gaze curiously on the rites of the Eastern Church
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Good Friday In Jerusalem Concert Program
Our concert features excerpts from the “Service of the Holy Passion of our Lord Jesus Christ” as it would have been celebrated in Jerusalem during the tenth century. The ancestor of the service celebrated in the modern Byzantine rite on Holy Thursday evening, this is a stational version of the office of early morning prayer
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Audiophile Audition Five Star Review for Good Friday In Jerusalem!
Audiophile Audition‘s Steven Ritter gives five star to the new Cappella Romana Good Friday In Jerusalem release! “This is the all-male version of Cappella Romana, and Alexander Lingas has his Portland-based ensemble going from strength to strength, perfectly judged balances among the melodists and those singing the ison, or lower drone notes, and executing these
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Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
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Handel’s Messiah — Notes by John Butt
Messiah The libretto that the irascible Charles Jennens sent to Handel at some point in the summer of 1741 was not in itself an extraordinary document within the Christian tradition. After all, the Gospels and Epistles already made ample reference to the way in which the New Testament was foretold in the Old, and this tradition
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