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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
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More Praise for Lost Voices of Hagia Sophia in MusicWeb International
Mark Sealey adds his voice to the growing list of reviews of Lost Voices of Hagia Sophia on MusicWeb International: “From the first note, we hear dedication, focus, energy, a balanced and measured concentration on – as far as is possible in our noisy world – how the monks and lay staff of the Hagia
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Lost Voices of Hagia Sophia is a Recommended Recording on MusicWeb International
MusicWeb International critic John Quinn has made Lost Voices of Hagia Sophia one of his Recommended Recordings! “The music itself is astonishing. … I was struck at once by the wonderful overlapping sonorities of the choir. There’s a real depth and richness to the choral sound and here, as elsewhere, the fabulously deep and resonant
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Bissera Pentcheva Interview on Hagia Sophia in Kathimerini
Greek news outlet Kathimerini has published a new interview with Stanford University’s Bissera Pencheva who has worked with Cappella Romana as part of our Hagia Sophia project and recording. Read the interview in the original Greek at Kathimerini.gr and see the translation below: What distinguishes Hagia Sofia from other churches and monuments of the Christian
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Early Music America Reviews Lost Voices of Hagia Sophia
Karen Cook reviews our Lost Voices of Hagia Sophia recording for Early Music America: “Thanks to the wonders of modern technology and painstaking work of two college professors, however, it is possible to imagine what a medieval Byzantine service might have sounded like. … The prolonged phrases flow over each other in layers and waves,
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