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Cappella Romana returns to Boston with The Byzantine Choral Inheritance
Cappella Romana Returns to Boston WithThe byzantine Choral Inheritance Boston Thursday 16 February 2023, 7:30 P.M.First church, Cambridge Greek Orthodox Music from the old and new worlds From Constantinople to California to Cambridge! Renowned vocal ensemble Cappella Romana will perform The Byzantine Choral Inheritance at First Church in Cambridge, February 16, 7:30pm. Tickets start at
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Pentecost from the Traditions of Constantinople Program Notes
The J. Paul Getty Villa 17 & 18 May 2014 Cappella Romana Performs Medieval Byzantine Chant Program Pentecost from the Traditions of Constantinople The second part of our program features music for Pentecost, the Sunday fifty days after Easter on which Christians commemorate the descent of the Holy Spirit on the Apostles. The services for
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Great and Holy Friday in Jerusalem Program Notes
The J. Paul Getty Villa 17 & 18 May 2014 Cappella Romana Performs Medieval Byzantine Chant Program Great and Holy Friday in Jerusalem In the year 637 AD the orthodox Christian Patriarch Sophronios (d. 638) surrendered Byzantine Jerusalem to the Arab Caliph Umar, inaugurating a period of Muslim rule in the Holy City that would
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Musical Style and Tradition in American Orthodox Churches: Chant and Polyphony
This webinar, “Musical Style and Tradition in American Orthodox Churches,” was hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. For centuries differences in musical style – especially the distinction between chant (unadorned melody) and polyphony (music sung in multiple parts) – have served Orthodox Christians as aural badges of
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Singing Divine Liturgy at St. George’s Antiochian Orthodox Church, Portland (A report)
Cappella Romana members John S. Boyer, David Krueger, Les Green, Mark Powell, John Michael Boyer, LeaAnne DenBeste, Catherine van der Salm, Christina Abdul-Karim, and Jo Routh sang the service of the Divine Liturgy at St. George’s Antiochian Orthodox Church, Portland, Oregon, on October 5, 2008. Byzantine chant in English formed the basis for the service
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Ivan Moody Guestblog: The Paschal Canon of St. John of Damascus
Composer, Ivan Moody The Paschal Canon of St John of Damascus encapsulates the theology, and the joy, of the Resurrection of Christ, the most important day of the Orthodox liturgical year. As the text has it in Fr Ephrem Lash’s translation, “This chosen and holy day is the first of Sabbaths, the Queen and Lady,
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Concert Program Notes for “From Constantinople to California” Concert Series – Part One
The Eastern Roman Empire—commonly called “Byzantium” after the ancient name of its capital Constantinople — not only survived the downfall of Rome by a millennium, but also created a musical tradition that remains both alive and influential today. In From Constantinople to California Cappella Romana will follow this tradition from its medieval origins to contemporary Los
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Cappella Romana Renaissance Easter in Spain and Portugal Program Notes
Renaissance Easter in Spain and Portugal Our programme presents music appropriate to Easter by some of the foremost composers of the Iberian ‘golden age’, during the later sixteenth and early seventeenth centuries. Francisco Guerrero spent almost his entire career in the service of Seville Cathedral, as a singer, assistant chapelmaster, and then chapelmaster. Seville Cathedral
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Cappella Romana 2025–26 Season
It’s About Time As Founder and Musical Director of the vocal ensemble Cappella Romana, it brings me great joy to introduce It’s About Time, our 2025–2026 season of concerts in the Pacific Northwest. Traversing time and space, we perform music ranging in mood from quiet contemplation to joyful ecstasy, capped off by a return visit from our amazing
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“The Green Patriarch,” Cappella Romana, And a Time For life
Before climate change became a pressing item on the global agenda, signs of human abuse of the natural environment had prompted efforts in religious communities throughout the world to recover spiritually grounded notions of human stewardship within creation. For Orthodox Christianity, this process began in earnest during the second half of the tenure of His
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Fanfare Interviews Tikey Zes about his new Divine Liturgy Recording
New interview with Divine Liturgy composer, Tikey Zes by Ronald Grames of Fanfare Magazine: “If one composer stands at the forefront of Greek Orthodox music in America, it would likely be Dr. Tikey Zes…” … RG: So, what is it about music for the Greek Orthodox church that especially appeals to you? TZ: It is
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Bissera Pentcheva Interview on Hagia Sophia in Kathimerini
Greek news outlet Kathimerini has published a new interview with Stanford University’s Bissera Pencheva who has worked with Cappella Romana as part of our Hagia Sophia project and recording. Read the interview in the original Greek at Kathimerini.gr and see the translation below: What distinguishes Hagia Sofia from other churches and monuments of the Christian
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