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Rachmaninoff: The Divine Liturgy of St. John Chrysostom
NEW: previews of this weekend’s concerts:Crosscut by Thomas May“the group’s brand of meditative sacred music from the Orthodox tradition is just what the doctor ordered.” The Sun Break by Michael van Baker “their performances of last season’s Vespers (also by Rachmaninoff) sold out, so you may want tickets in advance.” Before the Rachmaninoff Divine Liturgy concerts this
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Alexander Lingas Leads the Byzantine Chant Ensemble in Psalm 71
Details of King Charles’ Coronation Service at Westminster Abbey on May 6 have officially been published and provide the context in which Cappella Romana music director Alexander Lingas will lead the Byzantine Chant Ensemble in performance during the ceremony: The Presentation of Regalia Peers from non-Christian faiths and senior Anglican bishops present the regalia. During
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The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
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Get The Best Seats in Seattle for A Patriarch’s Chants!
From now through Friday at 2:00pm get the BEST SEATS IN THE HOUSE during our Saturday A Patriarch’s Chants Concert in Seattle for only $25 each (Normally $36)! Just click the link below and enter the promo code “best25” by Friday at 2pm to save! A Patriarch’s Chants — Seattle 8pm, Sat., Nov. 9, St.
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Psaltikon: The Day of Resurrection
The Historical Development of Easter The celebration of Easter (i.e., Pascha) for Orthodox Christians commences on Saturday morning with a Vesperal Liturgy that comprises psalms, hymns, and Old Testament readings, followed by the Divine Liturgy of St. John Chrysostom. Pascha is formally inaugurated several hours later, at midnight, in a rush of blazing candles, exuberant
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Ukrainian-American Artist Mary Chomenko Hinckley to Display Artworks at Portland Concert
Mary Chomenko Hinckley, a first generation Ukranian-American, works in bronze, resin, glass, paint and photography. Her investigations create a colorful dialogue between nature and civilization and time and place. She is Portland-based. At the Portland concert of Christmas in Ukraine, you’ll have the chance to see three of her works up-close, including life-size urban coyotes
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Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for
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Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
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For Your Consideration
Cyprus: Between Greek East & Latin West Cappella Romana Alexander Lingas, artistic Director Produced since 2004 by GRAMMY Award-winning producer Steve Barnett, Cappella Romana performs “music of purity and radiance” (Gramophone) in concerts of “luminous beauty” (Washington Post). Appearances in New York, Chicago, Los Angeles, London, Athens, Utrecht, Regensburg, and in the US Northwest all
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The Oregonian Explores Cappella Romana’s History
Brett Campbell explores Cappella Romana’s history in The Oregonian before this weekend’s 25th Anniversary Celebrations: “When Alexander Lingas moved to San Francisco in 1990, the Greek Orthodox cathedral where he’d just been appointed associate cantor lay in ruins, devastated by the 1989 Loma Prieta earthquake. Lingas wanted to help the church rebuild – and the
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Excitement Building for Hagia Sophia Virtual Performance
The excitement is building for our Hagia Sophia recreation concert at Stanford this season. So much so, that just this week, two different publications have featured it. Stanford Magazine goes into detail of how the concert came to be and how it works: “The first step to recreating the auditory experience of Hagia Sophia was
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