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Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
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Excitement Building for Hagia Sophia Virtual Performance
The excitement is building for our Hagia Sophia recreation concert at Stanford this season. So much so, that just this week, two different publications have featured it. Stanford Magazine goes into detail of how the concert came to be and how it works: “The first step to recreating the auditory experience of Hagia Sophia was
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Ross Ritterman Guest Blogs on preparing the CCRMA for Tonight’s Concert
Guest blog from Holy Cross Greek Orthodox Church’s Ross Ritterman: The CCRMA Crew working to hang the 24 speakers for tonight’s performance My name is Ross Ritterman and I am one of a group of about 10 people who help lead many of the services at Holy Cross Greek Orthodox Church in Belmont, California. In
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Alexander Lingas’s Cappella Romana Playlist: Music for Easter Sunday
Welcome to the fourth playlist from the archives of Cappella Romana, we turn to music celebrating the Resurrection of Jesus on Easter Sunday, a feast called ‘Pascha’ in Greek and Slavonic. As a way of offering you my own seasonal greetings, I am concluding this week’s list with a choral setting of this hymn that
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Help Cappella Romana Make the Billboard Classical Chart
ORDER NOW Our “irresistible” (Audiophile Audition) new album Good Friday in Jerusalem is on sale today (February 10)! We need your help to boost the record to the top of the Billboard Classical Chart. “This is not only Cappella Romana’s 20th recording, but it’s also one of the most compelling,” says Mark Powell, executive director
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July 4th Sale!
Save $10 per ticket to see The Tudor Choir in Portland in Sections A or B with coupon code “JULY4”. Valid until midnight on July 4! Buy Now and Save! Cappella Romana presents a festive summer concert Saturday, 26 July 2014, at St. Mary’s Cathedral celebrating Bach and his predecessors of the late-Renaissance and early-Baroque,
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Pre-Order LIVE IN GREECE!
Pre-Order Cappella Romana’s new CD: LIVE IN GREECE: From Constantinople to California Pre-release sale (not available in stores until August) Order here online. Free Shippingwhen you make a tax-deductible gift ($25 or more) by June 30. * Add your gift in the shopping cart and use the VOUCHER code: freeship.*Applies to all orders of any of our recordings. In September 2011
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Alexander Lingas’s Cappella Romana Playlist: Holy Week 1
Welcome to the second episode in this new series of playlists from the archives of Cappella Romana. During this week and the next in 2020, Western and Eastern Christians are journeying through Holy Week – the devotionally intense period from Palm Sunday through Good Friday to Easter Sunday. This year instead of attending or, more
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Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for
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Alexander Lingas Receives New Title
Cappella Romana artistic director Alexander Lingas has received the title of Archon Mousikodidaskalos (Music Teacher) of the Great Church of Christ on behalf of His All-Holiness, Bartholomew I, Archbishop of Constantinople-New Rome and Ecumenical Patriarch. Dr. Lingas said “I am humbled to receive this title from His All-Holiness, Ecumenical Patriarch Bartholomew I. I am also
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Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
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Mark Powell: A Passion for Pärt
I was in college in 1988. At some point that year I made one of my reasonably frequent visits to the Tower Records near the Space Needle in Seattle. In the Classical Room (remember those!?) there was some amazing music playing, and I stood in silence not really knowing what I was hearing, but intuitively
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