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St. Louis Post-Dispatch Passion Week Review
Sarah Bryan Miller says Passion Week helps to “fill the gap” in music for Holy Week in the St. Louis Post-Dispatch: “In ‘Passion Week,’ which receives its world premiere recording here, that style is lushly traditional in the Russian Orthodox style. It’s paired with Rimsky-Korsakov’s ‘Chants for Holy Week.’ It’s all beautifully sung by Cappella
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Audiophile Audition Gives Passion Week Five Stars
Audiophile Audition gives Maximilian Steinberg: Passion Week a Five-Star review! “[Maximilian Steinberg’s] music is pretty much sunk in obscurity…Until now, that is. … His Op. 13 Passion Week is his seminal work in the genre, actually more a collection of pieces selected from various Holy Week services that could be used outside of the opus
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Oregon ArtsWatch: “For prayer, in performance”
Thank you to Daryl Browne and ArtsWatch for the fantastic preview of our Frank La Rocca: Requiem for the Forgotten concert series (March 28-30, 2025): “Two choirs will be on “display” at Cappella Romana’s upcoming concert series on March 28 (in Seattle), and March 29 and 30 (in Portland). The first choir, The Benedict Sixteen, is
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The #Unselfie Movement — Mark Powell
Cappella Romana singer and executive director Mark Powell and his family share a love for music. Mark holds degrees in music from Seattle Pacific University and the University of Washington, and his wife Brigid Kathleen earned her music education and performance degree at Western Washington University. Brigid teaches music and physical education at Agia Sophia
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Memory Eternal: Father Ivan Moody
Cappella Romana’s March 8-10 Concert Series, In You, O Woman Full of Grace, is performed in memory of our dear friend, Archpriest Ivan Moody (11 June 1964–18 January 2024). The performance will also feature the premiere of Robert Kyr’s “Memory eternal, in remembrance of Fr. Ivan Moody”. May his memory be eternal. With faith in
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Cappella Romana in the Chicago Tribune
The Chicago Tribune has a great feature on the Heaven and Earth: Art of Byzantium From Greek Collections exhibit at the Art Institute of Chicago where Cappella Romana will perform on November 16th, and says the music of Cappella Romana is already bringing the exhibit to life: “Evidence of Byzantine spiritual life dominates ‘Heaven and
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Cappella Romana to sing Divine Liturgy in San Jose
Saint Nicholas Greek Orthodox Church, San Jose, CA Sunday, September 28, 10:00am The Divine Liturgy, with music composed by Dr. Tikey Zes (as recorded by Cappella Romana) Under the direction of the composer, Dr. Tikey Zes Following the fundraising event for the PAOI in San Francisco on Saturday night, Cappella Romana will sing the Divine
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CityArts Reviews Seattle Fall of Constantinople
CityArts Magazine reviews Cappella Romana’s Seattle performance of The Fall of Constantinople: “In Cappella Romana’s latest program Friday night at St. Joseph Parish, “The Fall of Constantinople,” we heard some thoughts of the defenders in music of the era—from the Byzantine side in Greek, and the Catholic side in Latin. … the sound is hypnotic,
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A Ukrainian Wedding — Meet The Soloists
Meet our Guest Conductor, Nadia Tarnawsky, and the Principal Soloists, Ukrainians Inna Kovtun and Hanna Tishchenko before “A Ukrainian Wedding” this weekend: Hear them this weekend, May 19–21, in Seattle, Portland, and Milwaukie (OR)! Don’t miss these previews! У нєдєлєчку да сонца / U nyedyelyechku da sontsa / On Sunday morningChernihiv region У нєдєлєчку да
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Alexander Lingas Leads the Byzantine Chant Ensemble in Psalm 71
Details of King Charles’ Coronation Service at Westminster Abbey on May 6 have officially been published and provide the context in which Cappella Romana music director Alexander Lingas will lead the Byzantine Chant Ensemble in performance during the ceremony: The Presentation of Regalia Peers from non-Christian faiths and senior Anglican bishops present the regalia. During
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Somewhere In Between: Ivan Moody’s Greek Liturgy
For someone familiar with Greek Orthodox liturgy, today’s performance will echo the experience of actual services, with abbreviations appropriate to a concert. At the same time, those new to the form may experience the performance as though it were liturgically complete even with the adjustments made for a concert context. Cappella Romana presents here the


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