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LIVE IN GREECE: From Constantinople to California – Part Three
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two II – Modern Choral Settings of Byzantine Chant Under Venetian and later British rule the Ionian
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LIVE IN GREECE: From Constantinople to California – Part Four
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three III – Liturgical Choral Music in the Greek Orthodox Churches of the western United
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LIVE IN GREECE: From Constantinople to California – Part Five
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three Part Four Younger Byzantine Contemporaries Two younger contemporaries of Frank Desby who were strongly
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Release Day!!! Cappella Romana LIVE IN GREECE: From Constantinople to California available in stores now!
Cappella Romana LIVE IN GREECE: From Constantinople to California Recorded live on Paros, GreeceCR409 Alexander Lingas, Director Ancient Byzantine chants begin this 1,000-year journey from Constantinople to California, followed by musical encounters with Crusaders and Venetians, including Greek and Latin polyphony from Renaissance Crete. East meets West again at St. Sophia Cathedral in Los Angeles,
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Gapplegate Classical-Modern Reviews LIVE IN GREECE
Grego Applegate Edwards Classical-Modern Music Review Blog features new Cappella Romana release LIVE IN GREECE, and ends with quite the statement: “This is music of endless fascination, performed with impeccable attention to detail. Cappella Romana live up to their reputation as the foremost representatives of the Byzantine choral tradition.” Read the full review on classicalmodernmusic.blogspot.ca
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The Oregonian Reviews Santiago de Compostela Concert
The reviews are in! James McQuillen of The Oregonian reviews our Santiago de Compostela concert with Marcel Pérès: “An iconoclastic musicologist with an intimate knowledge of a vast range of early liturgical song, Pérès joined Portland’s Cappella Romana at St. Mary’s Cathedral on Friday night for a concert that should rank among the ensemble’s many
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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
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Tomas Luis de Victoria – Renaissance Easter in Spain and Portugal
Cappella Romana performs the polyphonic motets of Tomás Luis de Victoria in the April concert series Renaissance Easter in Spain and Portugal. Read a little background on this influential Spanish Renaissance composer: Owen Rees – guest conductor & author “Victoria was the greatest Spanish composer of the Renaissance, and also one of the finest European
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Cappella Romana Renaissance Easter in Spain and Portugal Program Notes
Renaissance Easter in Spain and Portugal Our programme presents music appropriate to Easter by some of the foremost composers of the Iberian ‘golden age’, during the later sixteenth and early seventeenth centuries. Francisco Guerrero spent almost his entire career in the service of Seville Cathedral, as a singer, assistant chapelmaster, and then chapelmaster. Seville Cathedral


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