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Requiem for the Forgotten
Frank La Rocca (b. 1951) Requiem For The Forgotten with Josef Rheinberger’s Mass for Double Choir DIGITAL PREMIERE Available on-demand now Cappella Romana+ 45th Parallel Universe Richard SparksGuest Conductor Requiem for the Forgotten by Frank La Rocca for choir, organ, and strings commemorates the displaced and the homeless, championing the inherent dignity of every person. The…
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Lusitano: Black Composers of the Renaissance
Marian Consort Sings Lusitano: Black Composer of the Renaissance The Marian Consort United Kingdom Rory McCleeryFounder & Director Embark on a journey to 16th-century Portugal with music by Vicente Lusitano (1520–1561), the first published Black composer. The Marian Consort (UK) is the world’s leading ensemble for the music of Lusitano, led by Alexander Lingas’s good friend Rory…
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Sacro Monteverdi: Vox Luminis
Special Guest Concert Sacro Monteverdi Vox Luminis Belgium Lionel MeunierFounder & Director The world-renowned ensemble Vox Luminis from Belgium makes its Pacific Northwest début! Their singers and period instrument ensemble perform rapturous sacred works by Claudio Monteverdi. Monteverdi’s collection Selva morale e spirituale (The Virtuous and Spiritual Forest) forms the trunk of this program. Cappella Romana’s own Mark Powell…
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Refund and Returns Policy
This is a sample page. Overview Our refund and returns policy lasts 30 days. If 30 days have passed since your purchase, we can’t offer you a full refund or exchange. To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be…
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Leadership: Staff and Board
The leadership staff and board of Cappella Romana is comprised of highly talented musicians, artists, professionals, and community members. Get to know us, listen to our recordings, join us at a concert. Alexander Lingas, Music Director and Founder Alexander Lingas is Music Director of Cappella Romana, which he founded in 1991 to explore through scholarship…
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Language in American Orthodox Music: Liturgical and Pastoral Perspectives
Please join us for a webinar on “Language in American Orthodox Music: Liturgical and Pastoral Perspectives” hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. It has often been asserted that it is the tradition of the Orthodox Church to worship in the local language. Yet the historical reality has been…
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Robert Kyr speaks about A Time for Life on YouTube
Robert Kyr Talks about his work, “A Time For Life” in this new video! Concert Tickets Purchase the Recording!
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Classical Voice North America Reviews Passion Week Premiere
Seattle critic, Philippa Kiraly, has a fantastic feature and review of our recent World Premiere performance of Maximilian Steinberg’s Passion Week in Classical Voice North America: “Sometimes it sounded stern or foreboding, sober or somber, at other times brighter and joyful, or hypnotic, peaceful, and uplifting, or solemn and reverential, even exalted in Great Saturday’s…
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Tickets going fast for ARCTIC LIGHT
There are still a few of the best seats still available for the concerts of Arctic Light: Finnish Orthodox Music, but they are selling quickly. Order your tickets to ARCTIC LIGHT today at Brown Paper Tickets, 800-838-3006, or online at www.brownpapertickets.com. More information about Arctic Light.
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Cappella Romana and CCRMA Time Travel to Hagia Sophia
Stanford Live Magazine has a fantastic article chronicling the process of re-creating the Hagia Sophia in our upcoming “From Constantinople to California” performance. Read the introduction by author Jason Victor Serinus here, and then find the full article at www.livelyarts.stanford.edu! Total Sacred Immersion: Cappella Romana and CCRMA Time Travel to Hagia Sophia The universe may…
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Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for…


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