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St. Louis Post-Dispatch Passion Week Review
Sarah Bryan Miller says Passion Week helps to “fill the gap” in music for Holy Week in the St. Louis Post-Dispatch: “In ‘Passion Week,’ which receives its world premiere recording here, that style is lushly traditional in the Russian Orthodox style. It’s paired with Rimsky-Korsakov’s ‘Chants for Holy Week.’ It’s all beautifully sung by Cappella
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Steinberg Passion Week a “Landmark Recording”
The Orthodox Arts Journal‘s Benedict Sheehan gives Cappella Romana’s upcoming Maximilian Steinberg Passion Week an absolute rave: “Every so often a record comes along that changes the landscape of choral music.…The work itself is the sort of thing musicologists dream about: a treasure of inestimable musical value, hidden away in some attic or dusty library
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Living Memories
Introduction: Modern Greek Poetry and Memory Living Memories SEATTLE Fri 14 Nov 2O25, 7:3O PMSt. James CathedralFirst Hill, Seattle PORTLAND Sat 15 Nov 2O25, 2:OO PMHoly Trinity Greek Orthodox ChurchLaurelhurst, Portland “Eternal memory” is the final chant of funeral and memorial services in the Byzantine rite of Christian liturgy. Ancient in origin, this simple exclamation
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Requiem for the Forgotten, Cantus Missae (Program Notes by Mark Powell and Frank La Rocca)
Requiem for the Forgotten, Cantus Missae Program Notes by Mark Powell and Frank La Rocca Josef Rheinberger: Cantus Missae in E-flat major, Op. 109 SEATTLE Friday, March 28 @ 7:30pmSt. James Cathedral PORTLAND Saturday, March 29 @ 2:00pmSt. Mary’s Cathedral LAKE OSWEGO Sunday, March 30 @ 3pmOur Lady of the Lake Parish Josef Gabriel Rheinberger
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Oregon ArtsWatch: “For prayer, in performance”
Thank you to Daryl Browne and ArtsWatch for the fantastic preview of our Frank La Rocca: Requiem for the Forgotten concert series (March 28-30, 2025): “Two choirs will be on “display” at Cappella Romana’s upcoming concert series on March 28 (in Seattle), and March 29 and 30 (in Portland). The first choir, The Benedict Sixteen, is
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Memory Eternal: Father Ivan Moody
Cappella Romana’s March 8-10 Concert Series, In You, O Woman Full of Grace, is performed in memory of our dear friend, Archpriest Ivan Moody (11 June 1964–18 January 2024). The performance will also feature the premiere of Robert Kyr’s “Memory eternal, in remembrance of Fr. Ivan Moody”. May his memory be eternal. With faith in
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Cappella Romana in the Chicago Tribune
The Chicago Tribune has a great feature on the Heaven and Earth: Art of Byzantium From Greek Collections exhibit at the Art Institute of Chicago where Cappella Romana will perform on November 16th, and says the music of Cappella Romana is already bringing the exhibit to life: “Evidence of Byzantine spiritual life dominates ‘Heaven and
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Review from the Utrecht Early Music Festival
A wonderful new review of our concert at the Utrecht Early Music Festival by Marianne Driessen has been translated into English by our friend Maria Armstrong. “When I first started this blog, I really had made the resolution to not write about music. I do not know much about it, and my ear is not very
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Leitourgeia kai Qurbana reviews Arctic Light
Richard Barrett reviews the Cappella Romana Arctic Light recording on his Leitourgeia kai Qurbana blog: “Where there is an intriguing religious culture, one hopes there will also be an intriguing culture of religious music, and Fr. Ivan Moody, conducting Cappella Romana, makes the case for the music of the Orthodox Church of Finland on the
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CityArts Reviews Seattle Fall of Constantinople
CityArts Magazine reviews Cappella Romana’s Seattle performance of The Fall of Constantinople: “In Cappella Romana’s latest program Friday night at St. Joseph Parish, “The Fall of Constantinople,” we heard some thoughts of the defenders in music of the era—from the Byzantine side in Greek, and the Catholic side in Latin. … the sound is hypnotic,
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The Fall of Constantinople — Program Notes
Greeks and Latins had lived uneasily together in the Eastern Mediterranean ever since the sack and occupation of Constantinople (1204–61) by crusader knights. During the 14th and 15th centuries, however, the shrunken Byzantine Empire and the remaining Western colonies were often forced to cooperate in desperate attempts to defend themselves against the Ottoman Turks. This
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