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Cappella Romana Holy Week in Jerusalem Program Notes – Part Two
Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Great and Holy Friday in Jerusalem (Part Two) Stanford Memorial Church
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Coming April 2014 — Passion Week
Passion Week by Maximilian Steinberg Sacred Music in Post-Revolutionary Russia This April, for the first time in recorded history, Cappella Romana presents the last major sacred work composed in Russia before Stalin’s 1932 crackdown: Passion Week by Maximilian Steinberg. You’ll gain insights into Steinberg’s complicated personal history: he was born into a Jewish family in
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Passion Week composer Maximilian Steinberg
A little about the April 2014 Passion Week composer Maximilian Steinberg Russian composer and teacher, Maximilian Steinberg from the St Petersburg University conservatory in 1908 where his teachers had been Rimsky-Korsakov (composition), Lyadov (harmony) and Glazunov (orchestration). In 1908 he began his teaching career at the conservatory, where he was a teacher of noted students
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The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
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Venetian Baroque in March!
Venetian Baroque: Galuppi + Vivaldi + Bortniansky CAPPELLA ROMANA, PORTLAND BAROQUE ORCHESTRA at the PORTLAND ART MUSEUM, conducted by Mark Bailey. Grand scale and rarely heard sacred choral works by Baldassare Galuppi, who was Maestro di Cappella at San Marco in Venice as well as at Catherine the Great’s Imperial Chapel in St. Petersburg. Includes
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Oregon ArtsWatch Reviews Arctic Light Concert
Oregon ArtsWatch was tempted to “proclaim Cappella Romana as the best choral group in Portland” after our Arctic Light concert! Read a few quotes below and then check out the full review at orartswatch.org. If you weren’t able to attend, don’t forget you can pre-order the CD the recording today! “The blockbuster of the evening
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Fanfare Reviews “A Time for Life”
Fanfare Magazine has a new review for our Robert Kyr: A Time for Life release: “This is my first exposure to the music of Robert Kyr (born 1952). I hope it not to be my last. The idea of a pan-religious frame of reference to address man’s ecological concerns is an attractive one, and it
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Nerd-Out with Cappella Romana’s Passion Week Concert!
Received via email (and shared with permission): “I’ve had a chance to check out the Cappella Romana website. I studied history focusing on ancient and Jewish history (with a little Medieval European history) in college, so I am completely “nerding-out” over the idea that a choir like this exists! I am definitely planning on attending
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This Month — Venetian Baroque
7pm, Saturday, March 22 — Portland Art Museum Venetian Baroque: Galuppi + Vivaldi + Bortniansky CAPPELLA ROMANA, PORTLAND BAROQUE ORCHESTRA at the PORTLAND ART MUSEUM, conducted by Mark Bailey. Grand scale and rarely heard sacred choral works by Baldassare Galuppi, who was Maestro di Cappella at San Marco in Venice as well as at Catherine
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Cappella Romana Passion Week Performance a “World-Class Arts Event”
Portland Monthly Magazine has a Spring “Guide to the Season’s World-Class Arts Events” and tabs our April 11th Passion Week concert at St. Mary’s Cathedral. “In April, vocal ensemble Cappella Romana performs the world premiere of Maximilian Steinberg’s Passion Week, the last major sacred work composed in Russia before Stalin cracked down on religious art.
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Toronto Early Music News Reviews Mt. Sinai: Frontier of Byzantium
The Toronto Early Music News Winter 2014 issue has a new review of our Mt. Sinai: Frontier of Byzantium recording! “This music speaks to a higher self; its target is the divine and focuses the soul in direct union with God. One of its features is the luxurious usage of time. Time seems to be
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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
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