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Somewhere In Between: Ivan Moody’s Greek Liturgy
For someone familiar with Greek Orthodox liturgy, today’s performance will echo the experience of actual services, with abbreviations appropriate to a concert. At the same time, those new to the form may experience the performance as though it were liturgically complete even with the adjustments made for a concert context. Cappella Romana presents here the
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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Tomas Luis de Victoria – Renaissance Easter in Spain and Portugal
Cappella Romana performs the polyphonic motets of Tomás Luis de Victoria in the April concert series Renaissance Easter in Spain and Portugal. Read a little background on this influential Spanish Renaissance composer: Owen Rees – guest conductor & author “Victoria was the greatest Spanish composer of the Renaissance, and also one of the finest European
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Cappella Romana Renaissance Easter in Spain and Portugal Program Notes
Renaissance Easter in Spain and Portugal Our programme presents music appropriate to Easter by some of the foremost composers of the Iberian ‘golden age’, during the later sixteenth and early seventeenth centuries. Francisco Guerrero spent almost his entire career in the service of Seville Cathedral, as a singer, assistant chapelmaster, and then chapelmaster. Seville Cathedral
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Ivan Moody Talks Arctic Light with Fanfare
Ivan Moody talks about Cappella Romana’s latest release, Arctic Light with Fanfare Magazine‘s James Altena. Read a couple of the questions below and find the full interview on the Fanfare website Fanfare: How did your particular association with the Cappella Romana come about, and what led to the recording of your Arctic Light CD with
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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
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Fanfare Magazine Reviews Benedict Sheehan’s Liturgy of Saint John Chrysostom
Alongside a must-read interview with Benedict Sheehan, Fanfare Magazine’s March/April 2021 Issue features THREE reviews of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: James A. Altena: “I own a goodly number of settings of the Liturgy by various composers—Chesnokov, Grechaninov, Ippolitov-Ivanov, Kastalsky, Rachmaninoff, Shvedov, Stoyanov, and
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St. Tikhon Choir Gives a “Stunning Debut”
Cinemusical gives stars across the board to the Saint Tikhon Choir’s recording of Benedict Sheehan’s Liturgy of St. John Chrysostom on Cappella Records: “The work is a blend of liturgical components (litanies, various antiphons and hymns, an “Our Father”, communion, blessing) and psalm settings (Sheehan adapted Psalms 145 and 148). There are references to ancient
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More Praise for Lost Voices of Hagia Sophia in MusicWeb International
Mark Sealey adds his voice to the growing list of reviews of Lost Voices of Hagia Sophia on MusicWeb International: “From the first note, we hear dedication, focus, energy, a balanced and measured concentration on – as far as is possible in our noisy world – how the monks and lay staff of the Hagia
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HR Audio Gives Lost Voices of Hagia Five Stars
HRAudio.net‘s Adrian Quanjer gives our Lost Voices of Hagia Sophia recording a ⭐️⭐️⭐️⭐️⭐️ rating! “It’s Art, it’s history, it’s technical advance, it’s Magic! … It is self-evident that for such an experiment a choir of exceptional professional quality is a ‘sine qua non’. Cappella Romana, under its experienced and highly qualified Music Director, Alexander Lingas,
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