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Oregon Arts Watch Reviews Rachmaninoff’s All-Night Vigil
Oregon ArtsWatch critic Bob Hicks attended Sunday’s All-Night Vigil concert at St. Mary’s Cathedral and took a visit to an undiscovered country: “And that, it struck me, gets to the true meaning of “classic”: not a time period or a signifier of something ancient and therefore not quite relevant, but something that remains young and
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Planet Hugill Reviews Maximilian Steinberg: Passion Week
Robert Hugill has a new review for our “Remarkable re-discovery” of Maximilian Steinberg’s Passion Week: “Musically it is very much in the same genre as Rachmaninov’s All Night Vigil (Vespers), the chant in Steinberg’s work has similar recognisable outlines. Steinberg’s harmony is more classical…and the chants stand out more in Steinberg. …Quite romantic in texture,
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Arstlandia Interviews Ivan Moody Before From Darkness To Light
Arstlandia hosts a Q&A with From Darkness To Light guest conductor Ivan Moody and includes this preview of the performance: This coming weekend, May 16 and 17, classical choir Cappella Romana will bring star composer and conductor Ivan Moody to Portland to conduct From Darkness to Light, an intense program featuring the rarely-performed Choir Concerto
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Maximilian Steinberg: Passion Week in The New York Times
New York Times critic James R. Oestreich shared that he’d been listening to our Maximilian Steinberg: Passion Week recording in the ArtsBeat “Classical Playlist”: “‘Passion Week’…is on a scale with the great sacred works of Tchaikovsky and Rachmaninoff, though in a slightly more advanced idiom, and is quite simply beautiful.” —James R. Oestreich, The New
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#7 Billboard Debut for Maximilian Steinberg: Passion Week!
Thanks to all of you who pre-ordered and purchased during the first week of the release, Maximilian Steinberg: Passion Week debuted at #7 on the Traditional Classical Billboard Charts! Buy The CD & The VINYL Today!
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The Choral Stream Recap
If you missed Friday’s Passion Week Choral Stream presented by American Public Media and Classical MPR, you can still get a look back at all the action thanks to the live conversations on Twitter: #SteinbergPassion Tweets You can also catch the interview with Passion Week producer, Steve Barnett, in “An Insider’s Perspective on Steinberg’s ‘Passion
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Minnesota Public Radio Features Passion Week!
Classical MPR (Minnesota Public Radio) is featuring recordings for Holy Week, and Thursday will be broadcasting our Passion Week recording on Thursday, April 2 at 10am(Central)/8am (Pacific)! Bookmark www.classicalmpr.org today to stream the broadcast! The name of Maximilian Steinberg (1883-1946) will be a new one to almost all music lovers. As this release from the
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Good Friday In Jerusalem #8 on Billboard Chart!
Thanks to all of you who pre-ordered and purchased during the first week of the release, Good Friday In Jerusalem debuted at #8 on the Traditional Classical Billboard Chart! Purchase Stream
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Alexander Lingas Gives Presentations at Yale and King’s College
Alexander Lingas gives academic presentations at the Institute of Sacred Music at Yale University and the Institute of Classical Studies at King’s College London: King’s College London Eastern-Western Motet: Liturgical Music in Byzantium and the West The Musical Codification of Byzantine Hymnody See the Full Two-Day Colloquium Schedule Here Yale University Institute of Sacred Music
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Portland Monthly Magazine Features Cappella Romana
Portland Monthly Magazine has published a list of Portland arts groups that Portlanders might take for granted, but are “beloved around the world,” and Cappella Romana is included in the list of five artists and ensembles: “Traveling more than any classical group in the region, Cappella Romana takes to the road for as many as
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Cappella Romana in good company
David Stabler, classical music critic for the Oregonian, mentioned Cappella Romana’s concert in November 2007 as one of the highlights of the season, alongside a concert by the David York Ensemble, Trio Mediaeval, and last night’s concert of the Tallis Scholars. Read more “I can’t remember a fall season of such extraordinary choral concerts, from


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