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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
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Sacred Songs of Serbia — Program Notes: Part Two
Sacred Songs of Serbia Serbian Chant and Church Choral Music Part One Polyphonic singing appeared for the first time in Serbian churches in the 1830s as a result of European and Russian influence. The expansion of newly organized Serbian church choirs was enormous and very soon the main problem was the lack of indigenous sacred
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Tchaikovsky’s Divine Liturgy: Program Notes
Russian choral artistry, and especially its sacred choral singing, has long enjoyed the admiration of the Western musical world. After hearing the Choir of the Imperial Chapel of St. Petersburg in 1844, Robert Schumann wrote in his diary that “the Chapel is the most wonderful choir we have ever had the occasion of hearing.” Tchaikovsky
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Christmas in Ukraine
Holiday Concert Christmas in Ukraine Digital On Demand Purchase on-demand access through our premieres program Cappella Romana Marika KuzmaGuest Director Get ready to immerse yourself in the enchanting melodies of Ukraine this holiday season! A world of tradition and celebration awaits, including music by the renowned Ukrainian composer Dmitry Bortniansky, the Palestrina of the Slavic
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Memory Eternal: Father Ivan Moody
Cappella Romana’s March 8-10 Concert Series, In You, O Woman Full of Grace, is performed in memory of our dear friend, Archpriest Ivan Moody (11 June 1964–18 January 2024). The performance will also feature the premiere of Robert Kyr’s “Memory eternal, in remembrance of Fr. Ivan Moody”. May his memory be eternal. With faith in
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Cyprus — The Ars nova and its Byzantine Counterpart
Latin and Greek sacred music of the Middle Ages shared both roots in the Christian psalmody of Roman Late Antiquity and a common inheritance of Ancient Greek musical theory. Despite centuries of troubled relations between Byzantine Christianity and the Church of Rome that went from bad to worse with the Crusader sack and occupation of
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Byzantine Music in Cyprus
Manuscripts of Byzantine chant copied through the middle of the fifteenth century show that Cyprus remained closely tied to the musical mainstream of Byzantium. The two hymns (stichera) from the Greek office for St Hilarion included on the present recording are excerpts from a longer sequence of hymns interpolated on the eve of his feast
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Singer Spotlight: David Krueger
This Season, we are launching a new series spotlighting the voices of Cappella Romana to help you get to know the people behind the music. The series will allow our singers to share their history and stories of working with our ensemble as well as what they are working on outside of Cappella Romana. Our
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Support Cappella Romana by December 31
“Kassianí’s time-defying flow of melodies imparts serene glimpses into eternity.” —Gramophone Magazine “The most beautiful concert experience in recent memory.” —Cappella Romana Patron Dear friend, I believe you’ve felt it: That moment when the music washes over you and an amazing calmness takes over. Your heartbeat slows. Your breathing gets deeper. You connect with something
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Mass Appeal – Living Traditions
Mass Appeal SEATTLE Fri 24 Oct 2O25, 7:3O PMSt. Mark’s CathedralCapitol Hill, Seattle PORTLAND Sun 26 Oct 2O25, 2:OO PMSt. Mary’s CathedralNorthwest Portland It was 2018 when David Hattner first proposed pairing Bruckner’s Mass in E minor with Stravinsky’s Mass in a project with Cappella Romana and Portland Youth Philharmonic, and I immediately recognized the
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Audition for Cappella Romana
Cappella Romana at the Cave of the Apocalypse on the Island of Patmos, 2011 The singers for each Cappella Romana project are chosen from an international pool by the ensemble’s Music Director, Dr. Alexander Lingas, according to the musical demands of the repertoire to be sung. Some programs may feature as few as 4 singers
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