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Review from the Utrecht Early Music Festival
A wonderful new review of our concert at the Utrecht Early Music Festival by Marianne Driessen has been translated into English by our friend Maria Armstrong. “When I first started this blog, I really had made the resolution to not write about music. I do not know much about it, and my ear is not very
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From Constantinople to California – Program Notes Part Two
The Eastern Roman Empire—commonly called “Byzantium” after the ancient name of its capital Constantinople — not only survived the downfall of Rome by a millennium, but also created a musical tradition that remains both alive and influential today. In From Constantinople to California Cappella Romana will follow this tradition from its medieval origins to contemporary Los
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed
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Notes on Heaven and Earth: A Song of Creation
Heaven and Earth: A Song of Creation Dedicated to Richard Toensing (+2014) and Archimandrite Ephrem Lash (+2016) of blessed memory Program Notes by Richard Barrett, Artistic Director, The Saint John of Damascus Society HEAVEN AND EARTH TICKETS 10/12 SEATTLE TICKETS 10/13 PORTLAND TICKETS 10/14 PORTLAND TICKETS The Saint John of Damascus Society is a sacred arts
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Canon for Racial Reconciliation
Isaac Cates & Nicholas Reeves Canon for Racial Reconciliation Cappella Romana Isaac Cates & Anthony MaglioneGuest Conductors Experience a groundbreaking fusion of traditions with the Pacific Northwest première of the complete Canon for Racial Reconciliation for choir and gospel instrument ensemble. Isaac Cates (Gospel music) and Nicholas Reeves (Orthodox music) co-composed an unforgettable score to African American
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A Ukrainian Wedding (Program Notes from Nadia Tarnawsky)
The traditional Ukrainian wedding ritual lasts at least a week – sometimes longer. There are some variations from region to region and village to village, but the main outline of the ritual follows the same journey. The young couple is engaged. Various wedding items are made – the wedding bread, the wreaths for the young
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Somewhere In Between: Ivan Moody’s Greek Liturgy
For someone familiar with Greek Orthodox liturgy, today’s performance will echo the experience of actual services, with abbreviations appropriate to a concert. At the same time, those new to the form may experience the performance as though it were liturgically complete even with the adjustments made for a concert context. Cappella Romana presents here the
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Let My Prayer Arise! Music in the Experience of African American Orthodox Christians
With Fr. Turbo Qualls, Nun Katherine Weston (Fellowship of St. Moses the Black), and Dr. Shawn Wallace (Associate Professor of Jazz Studies at the Ohio State University and Orthodox Christian), and Dr. Peter Bouteneff, Dr. Rob Saler, and Dr. Alexander Lingas. Our panelists discuss the intersection of Orthodox liturgical music traditions and the African American
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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
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National Endowment for the Arts Awards Major Grant to Cappella Romana for Black Voices in Orthodox Music
Cappella Romana is thrilled to announce a $35,000 grant from the National Endowment for the Arts for its Black Voices in Orthodox Music series, which in 2025 will feature the Canon for Racial Reconciliation by Nicholas Reeves and Isaac Cates. This grant is under the NEA’s Grants for Arts Projects, tied with My Voice Music
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Watch “Venice in the East” at the Utrecht Early Music Festival
Watch a video from Cappella Romana’s 2016 Venice in the East performance at the Utrecht Early Music Festival! April 27-29, 2018, Italy meets Greece in Venice in the East, a sonic exploration of the Greek Islands when they were ruled by the Venetian empire. Cappella Romana is reviving Renaissance music from Crete, celebrating the island’s
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Cappella Romana Invited to Perform at the Utrecht Early Music Festival
CAPPELLA ROMANA Invited to Perform at the Utrecht Early Music Festival Utrecht, Netherlands, September 2014 Cappella Romana is thrilled to announce that the Festival Oudemuziek (Early Music Festival) in Utrecht, Netherlands, has invited Cappella Romana to appear in this year’s festival on September 7, 2014 (oudemuziek.nl). The program will be “The Fall of Constantinople,” directed
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