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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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Machaut: Messe de Nostre Dame
Guillaume de Machaut (1300-1377) Guillaume de Machaut’s Messe de Nostre Dame (c. 1360-65) began to attract great interest during the 20th century. It is the first mass composed for four voices with a known composer, and as such, it is widely considered to mark the beginning of a new musical era. In addition, Machaut himself
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Marcel Pérès Returns for Machaut: Messe de Nostre Dame
Following his Cappella Romana début in 2012 leading powerful chants from Santiago de Compostela, international early music star Marcel Pérès from Paris directs the earliest known Mass setting by a single composer, Guillaume de Machaut (1300-1377), with chants for Candlemas. Widely considered an iconoclast in the early music movement, Medieval Latin chant specialist Marcel Pérès
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Byzantine Christmas: Sun of Justice – Taking the Journey
The ecclesiastical feast day celebrating the Nativity of Jesus Christ – which came to be called simply “Christ’s Mass,” or “Christmas” in English – was added to the calendar in the Eastern Church somewhat later than other major feasts. Originally, Christ’s Nativity and Baptism were celebrated on the same day: Epiphany (January 6). Much has
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Cappella Romana seeks an Operations Manager
Job Title: Operations Manager Reports to: Executive Director Status: Full-time, exempt Compensation: Salary commensurate with experience Cappella Romana seeks bright, dynamic, and creative candidates from diverse backgrounds for the position of Operations Manager. The Operations Manager (OM) serves as a creative lead for managing the day-to-day operations of Cappella Romana, including an array of activities
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OPB features Frozen Music
Read the OPB Feature on our upcoming “Frozen Music” concert with Third Angle! “Music ensemble Third Angle will team up with choir group Cappella Romana for a new project, “Frozen,” on Oct. 3-4. They’re giving a voice to one of Oregon’s most famous buildings — one you likely didn’t even know exists…” Frozen Music Sat
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Mass Appeal – Living Traditions
Mass Appeal SEATTLE Fri 24 Oct 2O25, 7:3O PMSt. Mark’s CathedralCapitol Hill, Seattle PORTLAND Sun 26 Oct 2O25, 2:OO PMSt. Mary’s CathedralNorthwest Portland It was 2018 when David Hattner first proposed pairing Bruckner’s Mass in E minor with Stravinsky’s Mass in a project with Cappella Romana and Portland Youth Philharmonic, and I immediately recognized the
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Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
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Singer Spotlight: Catherine van der Salm
Our Singer Spotlight series continues with soprano Catherine van der Salm! What was your first performance with Cappella Romana? I sang my first concerts with Cappella Romana in November 2006, gorgeous Russian music under the direction of Mark Bailey. What Non-Cappella Romana Projects are you excited to share? I love to sing chamber music and new music!
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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Rachmaninoff: Divine Liturgy Reviews Are In!
Thanks to all who made it out to the concerts this weekend! The reviews are in: From The Oregonian: “Friday night’s performance of the Divine Liturgy at St. Mary’s Cathedral was indeed drenched in sumptuous sonic pleasure. “It was a marathon for the singers, a vast text amounting to nearly 18 program pages of Old
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