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Byzantine Music in Cyprus
Manuscripts of Byzantine chant copied through the middle of the fifteenth century show that Cyprus remained closely tied to the musical mainstream of Byzantium. The two hymns (stichera) from the Greek office for St Hilarion included on the present recording are excerpts from a longer sequence of hymns interpolated on the eve of his feast
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Latin Music in Cyprus
Literary witnesses to the cultivation of music by the French kings of Cyprus are found in a variety of sources, but nearly all of the surviving music associated with the Lusignan court is contained in a single manuscript: Torino Biblioteca Nazionale Universitaria J.II.9. This remarkable document was, according to Karl Kügle (2012), evidently copied between
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Cyprus — The Ars nova and its Byzantine Counterpart
Latin and Greek sacred music of the Middle Ages shared both roots in the Christian psalmody of Roman Late Antiquity and a common inheritance of Ancient Greek musical theory. Despite centuries of troubled relations between Byzantine Christianity and the Church of Rome that went from bad to worse with the Crusader sack and occupation of
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Medieval Cyprus Between East and West
Located at a strategic point in the Eastern Mediterranean close to the coasts of Asia Minor (modern Turkey) and the Middle East, the island of Cyprus has been a site of commercial and cultural interchange since the dawn of civilization. Christianity came to the island with the apostles Paul and Barnabas, the latter of whom
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Maximilian Steinberg: Passion Week LP Available Now!
Now Available on Deluxe Limited-Edition 180-gram Vinyl LP Maximilian Steinberg: Passion Week The long-awaited vinyl LP format of Passion Week by Maximilian Steinberg is now available for purchase! Limited edition format with embossed, gatefold display packaging and exclusive behind-the-scenes photography. Includes a code for digital download of Steinberg’s Passion Week PLUS motets by Rimsky-Korsakov. Includes:
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CityArts Reviews Seattle Rachmaninoff Concert
CityArts critic Philippa Kiraly reviews Cappella Romana’s Rachmaninoff All-Night Vigil performance in Seattle: “This wasn’t a requiem, but the beautiful All-Night Vigil of Sergei Rachmaninoff was highly appropriate to the day (9/11), the occasion and the cathedral, and perfectly suited to Cappella Romana. … The Vigil is replete with colors, rhythms, textures and emotion, creating
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Planet Hugill Reviews Maximilian Steinberg: Passion Week
Robert Hugill has a new review for our “Remarkable re-discovery” of Maximilian Steinberg’s Passion Week: “Musically it is very much in the same genre as Rachmaninov’s All Night Vigil (Vespers), the chant in Steinberg’s work has similar recognisable outlines. Steinberg’s harmony is more classical…and the chants stand out more in Steinberg. …Quite romantic in texture,
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New MusicWeb Review for Maximilian Steinberg: Passion Week
After John Quinn named Maximilian Steinberg: Passion Week an April “Recording of the Month”, another MusicWeb International critic has been listening to our world premiere recording: “It is hard to imagine the turmoil surrounding conflict and persecution between the Communist state and the Church in this period, and even more so on hearing this tender
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Choir & Organ Magazine Reviews Good Friday in Jerusalem
Choir & Organ Magazine gives five stars to our Good Friday In Jerusalem recording in their May/June Issue: “This ‘premiere in modern times’, revivified through extensive research, is true tingle-factor stuff: an austere, inexorable, mesmerising Crucifixion liturgy told in the 8th-and-9th-century Byzantine chant that once resounded within Jerusalem’s Church of the Holy Sepulchre, leading the
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AllMusic Features Steinberg: Passion Week
AllMusic critic James Manheim has a new review for our Maximilian Steinberg: Passion Week recording: “The whole story is told in the excellent notes here, but the music itself is the main attraction. The nearest comparison would be Rachmaninov’s All-Night Vigil, but it is far from a knock-off. Steinberg makes less use of the characteristic
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Good Friday In Jerusalem Concert Program
Our concert features excerpts from the “Service of the Holy Passion of our Lord Jesus Christ” as it would have been celebrated in Jerusalem during the tenth century. The ancestor of the service celebrated in the modern Byzantine rite on Holy Thursday evening, this is a stational version of the office of early morning prayer
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