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The Russian Chant Revival
Major traditions of complex sacred music throughout Europe were shaped during the so-called “long nineteenth century” (the period of relative peace which lasted from the battle of Waterloo to the outbreak of World War I) by movements to recover elements of early traditions for modern use. These efforts, like contemporary “back-to-roots” endeavors in non-musical arts
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Musical Style and Tradition in American Orthodox Churches: Chant and Polyphony
This webinar, “Musical Style and Tradition in American Orthodox Churches,” was hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. For centuries differences in musical style – especially the distinction between chant (unadorned melody) and polyphony (music sung in multiple parts) – have served Orthodox Christians as aural badges of
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Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
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Living Memories
Introduction: Modern Greek Poetry and Memory Living Memories SEATTLE Fri 14 Nov 2O25, 7:3O PMSt. James CathedralFirst Hill, Seattle PORTLAND Sat 15 Nov 2O25, 2:OO PMHoly Trinity Greek Orthodox ChurchLaurelhurst, Portland “Eternal memory” is the final chant of funeral and memorial services in the Byzantine rite of Christian liturgy. Ancient in origin, this simple exclamation
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Requiem for the Forgotten, Cantus Missae (Program Notes by Mark Powell and Frank La Rocca)
Requiem for the Forgotten, Cantus Missae Program Notes by Mark Powell and Frank La Rocca Josef Rheinberger: Cantus Missae in E-flat major, Op. 109 SEATTLE Friday, March 28 @ 7:30pmSt. James Cathedral PORTLAND Saturday, March 29 @ 2:00pmSt. Mary’s Cathedral LAKE OSWEGO Sunday, March 30 @ 3pmOur Lady of the Lake Parish Josef Gabriel Rheinberger
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Sacred Songs of Serbia — Program Notes: Part Two
Sacred Songs of Serbia Serbian Chant and Church Choral Music Part One Polyphonic singing appeared for the first time in Serbian churches in the 1830s as a result of European and Russian influence. The expansion of newly organized Serbian church choirs was enormous and very soon the main problem was the lack of indigenous sacred
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Psaltikon: The Day of Resurrection
The Historical Development of Easter The celebration of Easter (i.e., Pascha) for Orthodox Christians commences on Saturday morning with a Vesperal Liturgy that comprises psalms, hymns, and Old Testament readings, followed by the Divine Liturgy of St. John Chrysostom. Pascha is formally inaugurated several hours later, at midnight, in a rush of blazing candles, exuberant
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The Tallis Scholars: Metamorphosis
METAMORPHOSIS H. Praetorius: Magnificat IV Gibbons: Magnificat (‘Short’) Pärt: Magnificat Sheppard: Our father Tavener: Our father (1999 version) Stravinsky: Otche nash Palestrina: Pater noster (a5) Gallus: Pater noster (a8) Interval Chant: Ave Maria Mouton: Ave Maria – virgo serena Stravinsky: Bogoroditse devo Pärt: Bogoroditse devo Gibbons: Nunc dimittis (‘Short’) Eccard: Maria wallt zum Heiligtum Pärt:
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Byzantine Music in Cyprus
Manuscripts of Byzantine chant copied through the middle of the fifteenth century show that Cyprus remained closely tied to the musical mainstream of Byzantium. The two hymns (stichera) from the Greek office for St Hilarion included on the present recording are excerpts from a longer sequence of hymns interpolated on the eve of his feast
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About Cappella Romana
Mission The mission of the vocal ensemble Cappella Romana is to experience and understand the transcendent beauty of the sacred music of the Christian East and West, especially of Byzantium, cultivating this rich cultural heritage and sharing it worldwide. Vision Cappella Romana transforms hearts and minds through encounters with the sacred musical inheritance of the
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Sacro Monteverdi: Vox Luminis
Special Guest Concert Sacro Monteverdi Vox Luminis Belgium Lionel MeunierFounder & Director The world-renowned ensemble Vox Luminis from Belgium makes its Pacific Northwest début! Their singers and period instrument ensemble perform rapturous sacred works by Claudio Monteverdi. Monteverdi’s collection Selva morale e spirituale (The Virtuous and Spiritual Forest) forms the trunk of this program. Cappella Romana’s own Mark Powell
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About Cappella Romana
Mission The mission of the vocal ensemble Cappella Romana is to experience and understand the transcendent beauty of the sacred music of the Christian East and West, especially of Byzantium, cultivating this rich cultural heritage and sharing it worldwide. Vision Cappella Romana transforms hearts and minds through encounters with the sacred musical inheritance of the
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