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Women in Sacred Chant: Past and Present
In tandem with the album launch for “Hymns of KassianÃ,” this panel highlighted two dimensions of women’s contributions to Christian sacred music: as composers and as performers (singers). This history has been often marginalized or even disregarded in general histories of Christianity, yet it has been – and continues to be– important to the continuing
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Bissera Pentcheva Interview on Hagia Sophia in Kathimerini
Greek news outlet Kathimerini has published a new interview with Stanford University’s Bissera Pencheva who has worked with Cappella Romana as part of our Hagia Sophia project and recording. Read the interview in the original Greek at Kathimerini.gr and see the translation below: What distinguishes Hagia Sofia from other churches and monuments of the Christian
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Cappella Romana Brings Byzantine Chant to the Great Hall at the Hellenic Centre
Cappella Romana Brings Medieval Byzantine Chant to London Byzantine Chant Mini-Symposium & Recital at the Hellenic Centre The Hellenic Centre Cappella Romana, in collaboration with the School of Byzantine Music and the Archdiocese of Thyateira, presents a mini-symposium and recital of Byzantine chant. Leading liturgical scholars and musicologists from the UK and US discuss ‘The
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Robert Kyr Receives Arts and Letters Award
A Time For Life composer Robert Kyr has been awarded the prestigious Arts and Letters Award given by the American Academy of Arts and Letters. The award honors outstanding artistic achievement by a composer who has arrived at his or her own artistic voice. In addition to an honorarium, the award offers funds toward music
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Musical Style and Tradition in American Orthodox Churches: Chant and Polyphony
This webinar, “Musical Style and Tradition in American Orthodox Churches,” was hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. For centuries differences in musical style – especially the distinction between chant (unadorned melody) and polyphony (music sung in multiple parts) – have served Orthodox Christians as aural badges of
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Online Explorations
Language in American Orthodox Music: Liturgical and Pastoral Perspectives Please join us for this webinar hosted by the Orthodox Christian Studies Center and presented in co-operation with Cappella Romana. It has often been asserted that it is the tradition of the Orthodox Church to worship in the local language. Yet the historical reality has been far more complex, with
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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Ross Ritterman Guest Blogs on preparing the CCRMA for Tonight’s Concert
Guest blog from Holy Cross Greek Orthodox Church’s Ross Ritterman: The CCRMA Crew working to hang the 24 speakers for tonight’s performance My name is Ross Ritterman and I am one of a group of about 10 people who help lead many of the services at Holy Cross Greek Orthodox Church in Belmont, California. In
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A TIME FOR LIFE Now in Rehearsal
A TIME for LIFE: Music for the Environment Cappella Romana is in residence this week working on Robert Kyr’s innovative new work on the theme of living in harmony with nature, “A TIME FOR LIFE.” (Click here for a sound sample of music by Robert Kyr). Artistic Director Alexander Lingas is shown above, conducting, with
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Kontakion on the Nativity reviewed by a POP MUSIC CRITIC!
Check this out: http://localcut.wweek.com/2009/01/13/furniture-music-2-cappella-romana/ Furniture Music #2: Cappella Romana January 13th, 2009 [6:11PM] Posted by: Robert Ham A cappella music is probably as safe a place as any for me to start my year of classical immersion. We’ve all heard music like this—a precise, polyharmonic choir singing songs of devotion to God—in some form before.


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