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ClassicalNet Review of Angelic Light
We stumbled across this older review of our Angelic Light: Music from Eastern Cathedrals compilation on the Classical review site, Classical.net, and wanted to share a few wonderful quotes from reviewer Robert Cummings: “Serenity, peace and an ecstatic religious sense permeate almost every number. … The Cappella Romana sing admirably throughout, capturing the Byzantine style
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On Tour: National Gallery of Art and Richmond, Virginia
The Byzantine Inheritance Saturday 26 October 2013, 7:00 pm — Richmond, VA SS. Constantine & Helen Greek Orthodox Cathedral Sunday 27 October 2013, 6:30 pm — Washington, DC National Gallery of Art for the exhibition Heaven and Earth: Art of Byzantium from Greek Collections Cappella Romana, the world’s leading vocal ensemble for the broad exploration
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Heaven and Earth: Art of Byzantium from Greek Collections
The Byzantine Inheritance performances are a part of the National Gallery of Art’s celebrations around the new “Heaven and Earth: Art of Byzantium from Greek Collections” exhibition. From the National Gallery of Art Website: In the first-ever exhibition of Byzantine art at the Gallery, some 170 works of art, many never before lent to the
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The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
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Early Music America Reviews Mt. Sinai Frontier of Byzantium
Early Music America magazine has a new review for our recent Mt. Sinai: Frontier of Byzantium recording: “The music speaks to a higher self: its target is the divine and focuses on the soul in direct union with God. One of its hallmarks is the luxurious usage of time. The repetitions of notes have an
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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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“The Green Patriarch,” Cappella Romana, And a Time For life
Before climate change became a pressing item on the global agenda, signs of human abuse of the natural environment had prompted efforts in religious communities throughout the world to recover spiritually grounded notions of human stewardship within creation. For Orthodox Christianity, this process began in earnest during the second half of the tenure of His
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The Oregonian Gives a Rave over the Messiah Performance
The Oregonian has a rave review for our Messiah performance with Portland Baroque Orchestra: “At the end of the evening, the loudest cheers went for the Portland choir Cappella Romana, which has done choral duties for PBO’s “Messiah” for the past several years. Well-blended, confident and informed by long experience of the piece, they cruised
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Thank You City of Portland and RACC!
Thanks to a new level of public support for arts and arts education in Portland, Cappella Romana is one of the 44 arts organizations to receive an additional grant towards its arts and education programming. Thank you City of Portland and RACC! “The Regional Arts & Culture Council (RACC) today announced it has awarded 44


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