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Cappella Romana Passion Week Performance a “World-Class Arts Event”
Portland Monthly Magazine has a Spring “Guide to the Season’s World-Class Arts Events” and tabs our April 11th Passion Week concert at St. Mary’s Cathedral. “In April, vocal ensemble Cappella Romana performs the world premiere of Maximilian Steinberg’s Passion Week, the last major sacred work composed in Russia before Stalin cracked down on religious art.
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Keeping Up with the Venetians — Part Two
Keeping Up With The Venetians Continued from Part One Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky Galuppi further exceeded his contractual duties by teaching composition to some of the Cappella singers. One such singer was the Ukrainian Dmitro (or more commonly Dmitry) Bortniansky. When Galuppi left St. Petersburg in 1769, he took
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Alexander Lingas Talks Passion Week Cycle on the Orthodox Arts Journal
Alexander Lingas has a new article on the Orthodox Arts Journal on the re-discovery of Maximilian Steinberg’s Passion Week Cycle, Op. 13! The article, “Passion Week, Opus 13 by Maximilian Steinberg (1883–1946): The Recovery of a Neglected Musical Contribution to the Russian Religious Renaissance” traces the history of the Russian Religious Renaissance and the story
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Audiophile Audition Gives Five Stars to Hymns of Kassianí
Audiophile Audition gives a five-star review to Cappella Romana’s Hymns of Kassianí recording: “Kassia is especially known for one particular piece, the Hymn of Kassiani, so-called because of its placement in the orthros (matins) service of Holy Wednesday. It is a masterly composition of great pathos, commemorating the harlot who anointed the feet of Jesus and
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Hymns of Kassianí Gets Highest Rating from ConcertoNet
Critic Linda Holt gives ConcertoNet‘s highest rating (4 Stars) to our new Hymns of Kassianí recording! “Cappella Romana… is transforming the dry, brittle pages of ancient Byzantine scores into living musical lyricism with a broad international appeal. … Their latest album provides a stunning entrée to the work of Kassianí, an Orthodox woman, monastic and
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Theater Byte Gives Lost Voices of Hagia Sophia its Highest Recommendation
“Applying Professor Abel’s sound technology to the fifteen voices of Capella Romana creates an audio experience that few if any listeners will have ever heard. These disembodied voices, evoking the holy spirit of God, seem to come from everywhere and totally envelop the audience. … Put this Blu-ray Disc in your player, and push the
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Lost Voices of Hagia Sophia is a Recommended Recording on MusicWeb International
MusicWeb International critic John Quinn has made Lost Voices of Hagia Sophia one of his Recommended Recordings! “The music itself is astonishing. … I was struck at once by the wonderful overlapping sonorities of the choir. There’s a real depth and richness to the choral sound and here, as elsewhere, the fabulously deep and resonant
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Cappella Romana to Premiere “The Voice of Hagia Sophia”
This Saturday, June 6, at 6 pm (PDT), Cappella Romana will premiere the 24-minute documentary, The Voice of Hagia Sophia, about the project and “making of” Cappella Romana’s Billboard Chart-topping recording, The Lost Voices of Hagia Sophia, on Facebook. The documentary includes interviews with Cappella Romana members John Boyer, Catherine van der Salm, Alexander Lingas,
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John Michael Boyer on Spirit Catholic Radio
Listen to John Michael Boyer on Spirit Catholic Radio: http://spiritcatholicradio.com/Audio/Spirit%20Mornings%20Archives/Previous/04-27-15%20Music%20Monday%20-%20John%20Michael%20Boyer%20-%20Cappella%20Romana.mp3 Help Cappella Romana Reach Even More New Goals — Give Now! One-Time Gift Recurring Gift Mail Phone Subscribe to the Cappella Romana 2015-2016 Season: Seattle Subscription Portland Subscription Series Concerts: Rachmaninoff’s All-Night Vigil — September 11-12-13, 2015 Cyprus: Greek East & Latin West — November
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Preview Works on The Tudor Choir Program
Preview The Tudor Choir’s upcoming concerts with these recordings of works on the upcoming concert program: MARENZIO: Magnificat octavi toni a 8 [soundcloud url=”https://api.soundcloud.com/tracks/156309986″ params=”color=ff5700&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] PALESTRINA: Magnificat a 8 [soundcloud url=”https://api.soundcloud.com/tracks/92056198″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Cappella Romana presents a festive summer concert Saturday, 26 July 2014, at St. Mary’s Cathedral
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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
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Benjamin Tissell Reviews Rachmaninoff All-Night Vigil
A wonderful heartfelt review of our Rachmaninoff All-Night Vigil concert from artist Benjamin Tissell: “…it was with great relish that I spent last Saturday night trying to finagle my way into a choir concert for the student price. The choir was Cappella Romana, one of the best around. The piece was Rachmaninoff’s “All Night Vigil”
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