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Seattle Machaut Review
“The most visceral part of the recital was simply the experience of hearing this music in a close approximation to its original acoustical and architectural context. What’s more, partaking in Machaut’s Messe reinforces why Medieval music is so fascinating to contemporary composers. Listening to it is rather like listening to a 20th century landmark composition
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Marcel Pérès Returns for Machaut: Messe de Nostre Dame
Following his Cappella Romana début in 2012 leading powerful chants from Santiago de Compostela, international early music star Marcel Pérès from Paris directs the earliest known Mass setting by a single composer, Guillaume de Machaut (1300-1377), with chants for Candlemas. Widely considered an iconoclast in the early music movement, Medieval Latin chant specialist Marcel Pérès
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Sun of Justice: A Two-Fold Offering – Part Two
With this two-fold offering of traditional Byzantine Music, we seek to give the listener two distinct yet complementary experiences: first, that of being in a traditional Orthodox church somewhere in the Middle East, wherein one choir sings in Greek and the other in Arabic; and second: that of being in a traditional Orthodox church in
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Gramophone Review of The Akáthistos Hymn
Looking forward to our upcoming performances of Ivan Moody’s Akáthistos Hymn in Seattle and Portland, as well as the re-release of our original recording, we’re looking back at Gramophone Magazine’s 2003 review of our recording of the work: “The Byzantine Akáthistos Hymn probably dates from the early 6th century and comprises 24 stanzas, one for
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Make a Gift Today to Cappella Romana’s Annual Fund
Dear friend, Your very own Cappella Romana has had a very good 25th Anniversary year: three European tours (including visits to the UK, Belgium, the Netherlands, and Germany), a week-long residency at Stanford University in the Bay Area with recording sessions of medieval chant from Hagia Sophia, the Arvo Pärt Festival, and the group’s most
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Spyridon Antonopoulos on Medieval Church Acoustics
The Red Bull Music Academy features an interview with Cappella Romana’s own Dr. Spyridon Antonopoulos and Emma Warren for an exploration of the transcendent impact and contemporary relevance of medieval acoustics: “‘Kalophonic music was more embellished and abstract,’ explains Antonopoulos. ‘There are entire compositions of just syllables. It’s an evolution where music seems to usurp
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Behind the Arvo Pärt Festival Logo
The logo for Cappella Romana’s Arvo Pärt Festival, which begins on Sunday, has some hidden meanings we’d like you to notice. First, the P in Pärt and the T in Festival are aligned in order to form a Staurogram, a ligature in ancient Christian manuscripts for the noun “cross” or its verb form “crucify.” The
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#GivingTuesday
After Two Days of Shopping, #GivingTuesday is a day to give back TODAY is #GivingTuesday! Giving Tuesday is a global movement born in 2012 to shine a light on giving back. It is a holiday designed to rival Black Friday and Cyber Monday: a day to focus on what really matters. Join the movement and
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Cappella Romana Celebrates 25 Years!
Twenty-five years ago today (April 26, 1991) Cappella Romana made its debut in San Francisco! “Back in 1991, Portland native Alexander Lingas, the group’s artistic director, was living in San Francisco, singing as the assistant cantor at Annunciation Greek Orthodox Cathedral while studying for his doctoral exam. A recent earthquake had damaged the church, and
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Cappella Romana Celebrates Early Music Month!
Cappella Romana joins Early Music America and many other ensembles and organizations across the country in celebrating March as #EarlyMusicMonth2016! Sponsored by Early Music America, this national, grassroots campaign is designed to raise awareness of early music throughout the larger North American music community. Early Music Month seeks to connect enthusiasts, performers, presenters, scholars, builders,
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Stirring. Meditative. Powerful.
Let yourself be swept away by the power of ancient chant for Epiphany New Year’s Weekend Epiphany: Medieval Byzantine & Old Roman Chant Cappella Romana’s specialist ensemble of Byzantine cantors perform Epiphany: a program of Medieval hymns and psalms for the feast of Epiphany, including examples sung directly from 11th-century manuscripts. The program was the


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