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New CD release from the Royal Academy in London
Our Third CD release since July, a “Greatest Hits” compilation Byzantium: 330-1453Cappella Romana announces the release of its 11th recording, the official companion CD commissioned for the exhibition, BYZANTIUM: 330-1453, at London’s Royal Academy of Arts (25 October ’08 to 22 March ’08. www.royalacademy.org.uk). Order the disc here. Receive this disc as a free gift
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Meet John Vergin
May 18-20 during the Be Radiant, O Peoples! tour, Cappella Romana will premiere a new work by composer John Vergin. John Vergin has more than a history of composition with Cappella Romana — he’s also been a Cappella Romana singer! Cappella Romana’s Christmas recording When Augustus Reigned also featured Cappella Romana performing his music. John
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Concert Program Notes for “From Constantinople to California” Concert Series – Part One
The Eastern Roman Empire—commonly called “Byzantium” after the ancient name of its capital Constantinople — not only survived the downfall of Rome by a millennium, but also created a musical tradition that remains both alive and influential today. In From Constantinople to California Cappella Romana will follow this tradition from its medieval origins to contemporary Los
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The Oregonian highlights 2013 Regensburg Festival Appearance
The Oregonian highlights Cappella Romana’s upcoming trip to Regensburg, Germany for the Tage Alter Musik Festival in 2013: “Cappella Romana, the small Portland choir devoted to old and new Orthodox music, has been invited to a prestigious early music festival in Regensburg, Germany. They will perform May 17, 2013, making their German debut. Cappella Romana
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2012-2013 Season: From Constantinople to California
The Cappella Romana 2012-2013 Season comes full circle in June 2013 with the “From Constantinople to California” concert series! Not only will the season kick off with the release of the LIVE IN GREECE recording featuring the From Constantinople to California program, it will also end with performances of the program both in Portland and
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LIVE IN GREECE: From Constantinople to California – Part One
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. From Constantinople to California: Cappella Romana was founded on the Pacific Coast of the USA in 1991 to explore, through
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LIVE IN GREECE: From Constantinople to California – Part Three
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two II – Modern Choral Settings of Byzantine Chant Under Venetian and later British rule the Ionian
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Release Day!!! Cappella Romana LIVE IN GREECE: From Constantinople to California available in stores now!
Cappella Romana LIVE IN GREECE: From Constantinople to California Recorded live on Paros, GreeceCR409 Alexander Lingas, Director Ancient Byzantine chants begin this 1,000-year journey from Constantinople to California, followed by musical encounters with Crusaders and Venetians, including Greek and Latin polyphony from Renaissance Crete. East meets West again at St. Sophia Cathedral in Los Angeles,
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In Communion Features Angelic Light as Recommended Reading
In Communion, a site of the Orthodox Peace Fellowship, has published a 2012 list of “Recommended Reading” and included our recent release “Angelic Light.” “The famous line from the first Blues Brothers movie: AWe have both kinds of music”—in that case, Country and West-ern—could also apply to Capella Romana. Under the leadership of founder and
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Gapplegate Classical-Modern Reviews LIVE IN GREECE
Grego Applegate Edwards Classical-Modern Music Review Blog features new Cappella Romana release LIVE IN GREECE, and ends with quite the statement: “This is music of endless fascination, performed with impeccable attention to detail. Cappella Romana live up to their reputation as the foremost representatives of the Byzantine choral tradition.” Read the full review on classicalmodernmusic.blogspot.ca


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