-
The Oregonian Reviews Santiago de Compostela Concert
The reviews are in! James McQuillen of The Oregonian reviews our Santiago de Compostela concert with Marcel Pérès: “An iconoclastic musicologist with an intimate knowledge of a vast range of early liturgical song, Pérès joined Portland’s Cappella Romana at St. Mary’s Cathedral on Friday night for a concert that should rank among the ensemble’s many
-
Cappella Romana Holy Week in Jerusalem Program Notes – Part One
Saturday, February 2nd, after their sold-out Bing Concert Hall debut, amid the natural acoustics of Memorial Church, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher. Great and Holy Friday in Jerusalem (Part One) In the year 637 A.D. the orthodox Christian Patriarch
-
Cappella Romana Holy Week in Jerusalem Program Notes – Part Two
Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Great and Holy Friday in Jerusalem (Part Two) Stanford Memorial Church
-
Tomas Luis de Victoria – Renaissance Easter in Spain and Portugal
Cappella Romana performs the polyphonic motets of Tomás Luis de Victoria in the April concert series Renaissance Easter in Spain and Portugal. Read a little background on this influential Spanish Renaissance composer: Owen Rees – guest conductor & author “Victoria was the greatest Spanish composer of the Renaissance, and also one of the finest European
-
Cappella Romana European Tour Goes To Greece
After stops in England and Germany, the Cappella Romana European Tour heads to Greece! Schedule: May 19 (Patras) Holy Metropolitan Church of the Annunciation Ιερός Μητροπολιτικός Ναός Ευαγγελιστρίας 20:00 May 20 (Athens) Master class at The American College of Greece Monday, 20 May 16:00 “Cotsen Hall” – The American School of Classical Studies “Cotsen Hall” –
-
London Review
via the Londinoupolis Blog Our first review is in from our London Residency via Londinoupolis: “The concert, entitled “Desert and City: Medieval Byzantine Chant”, was an intriguing and beautiful performance of a collection of hymns from Great and Holy Friday in Jerusalem and the Vespers of St. Catherine, transporting us to an ancient time, where
-
Looking Back at A Time For Life
As we look forward to our May 2014 performance of Robert Kyr’s A Time For Life with the Third Angle New Music Ensemble, have a look back at an Oregonian review of our world premiere concert: “During an hour of music, the eight excellent voices of Cappella Romana (sopranos DenBeste and Stephanie Kramer, altos Jo
-
New Release — The Divine Liturgy of St. John Chrysostom
Now Available! The Divine Liturgy of St. John Chrysostom Cappella Romana Tikey Zes Dr. Tikey Zes (b. 1927) is the most prolific composer of Greek Orthodox liturgical music in America. This highly original Liturgy, which Zes dedicated to Cappella Romana, bears the marks of a composer long engaged with the traditions of Orthodox worship. Cumulatively
-
The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
-
The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Two
John Sakellarides and Greek American Choral Music for the Divine Liturgy The first notated examples of polyphonic music for the Byzantine rite—that is, music employing more than one vocal part intended for worship by Eastern Orthodox and Greek Catholic Christians—appeared shortly before 1453 among the works of singers who served at the courts of the
-
The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed
-
The Divine Liturgy of St. John Chrysostom by Tikey Zes
Dr. Zes first published in 1991 The Divine Liturgy of St. John Chrysostom recorded on this disc. In 1996 he reissued it in an expanded edition that he dedicated to Cappella Romana, which had presented the concert premiere of the work in 1992. It is a collection of choral settings intended for Orthodox liturgical use
You must be logged in to post a comment.