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Robert Hugill Gives Four Stars to Hymns of Kassianí
Robert Hugill gives a Four-Star Review to Hymns of Kassianí on his Planet Hugill blog: “much of the music on this disc is expansive, you need time to sit and allow the chant to expand and fill your consciousness. The music moves between the solid chant to more florid, flowing sections, the result is imaginative
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Lost Voices of Hagia Sophia in Choir and Organ
The March/April 2021 issue of Choir and Organ Magazine has a review for our Lost Voices of Hagia Sophia recording: “Lost Voices of Hagia Sophia from Cappella Romana, directed by Alexander Lingas, is an extraordinary feat – the first vocal album ever to be recorded in live virtual acoustics. … Stunningly convincing sounds emerge as
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Four Stars from ConcertoNet for Benedict Sheehan’s Liturgy of Saint John Chrysostom
ConcertoNet‘s Linda Holt gives Four Stars to the Saint Tikhon Choir’s recording of Benedict Sheehan: Liturgy of St. John Chrysostom on Cappella Records: “a recording which succeeds fully as a musical work, albeit one that follows strict compositional and theological guidelines. Despite the heaviness of its intention, I found this work surprisingly elegant and light,
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Celebrating Arvo Pärt’s 85th Birthday
Arvo Pärt at 85 Happy birthday to one of the world’s most performed composers As we remember 9/11 today, we also note today is Arvo Pärt’s 85th Birthday. In 2017, Cappella Romana mounted the first festival in the US dedicated to the music of Arvo Pärt. Here’s an interview Alexander Lingas gave just before the
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The Absolute Sound Declares Lost Voices of Hagia Sophia a Triumph
The Absolute Sound magazine’s September 2020 issue features an in-depth look at our Lost Voices of Hagia Sophia recording and declares it “A triumph of scholarship, musicianship, and technology.” “For many critical listeners, and not just readers of this magazine, the absolute sound—the sound of live, unamplified music in a real space—is a touchstone…The venue
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More Praise for Lost Voices of Hagia Sophia in MusicWeb International
Mark Sealey adds his voice to the growing list of reviews of Lost Voices of Hagia Sophia on MusicWeb International: “From the first note, we hear dedication, focus, energy, a balanced and measured concentration on – as far as is possible in our noisy world – how the monks and lay staff of the Hagia
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Lost Voices of Hagia Sophia: More Relevant Than Ever
This week media outlets across the world thrust Hagia Sophia into the limelight, reporting the action by current authorities to clear the way for the UNESCO World Heritage Site to be changed from a museum to a mosque. Cappella Romana’s Lost Voices of Hagia Sophia is more relevant than ever: to shine a light on Hagia
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Concerto Net Review for Lost Voices of Hagia Sophia
ConcertoNet’s Christie Grimstad reviews Lost Voices of Hagia Sophia “listening to this ravishing music is an enrichment unlike any other. … It’s easily mesmerizing. Flowing like liquid gold in a randomized, though organized fashion, the chanting literally “washes” over the listener: it shimmers, it stuns, it absorbs the body. Look at it like oceanic swells…no two
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Cappella Romana for Memorial Day: Elgar’s Nimrod (Lux Aeterna)
Dear friends of Cappella Romana, On this Memorial Day we offer here Cappella Romana’s performance of Edward Elgar’s ‘Nimrod’ from the Enigma Variations, arranged by John Cameron. Lux aeterna luceat eis, Domine, cum sanctis tuis in aeternum, quia pius es.Requiem aeternamdona eis, Domine,et lux perpetua luceat eis. May light eternal shine upon them, O Lord,
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Cappella Romana Aims to Reschedule Concert before His All-Holiness, Bartholomew I, Archbishop of Constantinople, New Rome, and Ecumenical Patriarch
In February of this year, Cappella Romana received an invitation from the Greek Orthodox Archdiocese of America to sing for His All-Holiness, Bartholomew I, Archbishop of Constantinople, New Rome, and Ecumenical Patriarch. The concert was to take place in May at the University of Notre Dame where the “Green Patriarch” was to receive an honorary
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Tchaikovsky’s Divine Liturgy: Program Notes
Russian choral artistry, and especially its sacred choral singing, has long enjoyed the admiration of the Western musical world. After hearing the Choir of the Imperial Chapel of St. Petersburg in 1844, Robert Schumann wrote in his diary that “the Chapel is the most wonderful choir we have ever had the occasion of hearing.” Tchaikovsky
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