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Liturgical Singing Seminar this weekend!
This Saturday (October 11) at the Church of the Annunciation, Milwaukie, OR, Cappella Romana favorite Mark Bailey will lead an interactive, full-day seminar/workshop focused on the actualization of music in Orthodox Christian worship so as to “enable a comprehensive and elevated liturgical experience through insightful and skilled leadership and participation.” Guest speakers will include His
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Out of the Ashes of Smyrna: The Jewell of Asia Minor
Since the 18th century, the city of Smyrna, on the western shores of Asia Minor, was the most important commercial port in the Eastern Mediterranean. Through the early 20th century, both raw materials for industrial textiles as well as agricultural products were exported from Smyrna to the West. The resulting economic prosperity brought diverse populations
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Acoustics of Hagia Sophia at the Ritz Carlton San Francisco
Cappella Romana is one of the featured artists to perform at the Ritz-Carlton Hotel in San Francisco, in a gala on September 27 to raise funds for the Patriarch Athenagoras Orthodox Institute at Berkeley. The team from Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) will be providing virtual acoustics for the event,
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The Reviews are in for Odes of Repentance
We are so thankful for everyone who attended our 2023-24 Season Opening Concert, Odes of Repentance! And we can’t wait to see everyone again November 10-12, 2023 as John Michael Boyer leads Out of the Ashes of Smyrna! Coming Next – Arvo Pärt: Odes of Repentance – the album edition!
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Singer Spotlight: Photini Downie Robinson
Our Singer Spotlight series continues with Photini Downie Robinson! When did you first begin singing with Cappella Romana? I started with Cappella Romana in 2007 by the name of Mel. I was a young tech professional with an 18-month-old toddler, new to Portland and hoping to break into the professional choral scene. To say that Cappella Romana
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Singer Spotlight: David Krueger
This Season, we are launching a new series spotlighting the voices of Cappella Romana to help you get to know the people behind the music. The series will allow our singers to share their history and stories of working with our ensemble as well as what they are working on outside of Cappella Romana. Our
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Explore Cappella Romana’s 2023-24 Flex-Passes
Cappella Romana is pleased to announce all-new Flex-Passes for its 32nd Annual Season in Portland and Seattle. The 2023-24 Season offers concert experiences unlike any other, and now we are making attending as easy as possible. Flex-Passes allow you to choose any concerts you like–even repeat concerts if you prefer—and receive the same benefits as
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Announcing Cappella Romana’s 2023-24 Season
Cappella Romana is pleased to announce its 32nd Annual Season in Portland and Seattle. The 2023-24 Season offers concert experiences unlike any others. Under the leadership of Music Director and Founder Alexander Lingas, this season will span from traditional to experimental, from transcendent majesty to profound intimacy and tenderness. This is music that can change
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ArtsWatch Reviews Fall of Constantinople
Oregon ArtsWatch reviews the Portland performance of The Fall of Constantinople, saying “Portland vocal ensemble excels in hometown performance before major European festival appearance”: “Just past what the Greeks called ‘dog days of summer,’ Cappella Romana shone like Sirius in our Portland sky. Saturday night the premier choral ensemble presented a thoughtful, dramatic performance of
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You can help us reach our $25K goal: Just $3K left to go!
As a student in 1991, I gathered a group of friends to share the beautiful and transformative musical inheritance of Byzantium. Today, over three decades later, Cappella Romana fulfills this mission on a global scale through performances, recordings, publications, and educational initiatives. None of this would have been possible without the generous financial support of
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#ThrowbackThursday — Fall of Constantinople Gramophone Review
Before this weekend’s presentations of The Fall of Constantinople, here’s a look back at Gramophone Magazine’s review of our recording of this repertoire: “English-speaking audiences commonly associate Greek Orthodox plainchant with the music of John Tavener, whose work draws substantially from its ethos. This recording confronts plainchant with the compositions of another Western composer, albeit


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