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Peter Michaelides and The Divine Liturgy of John Chrysostom
Cappella Romana will be premiering a new work from Peter Michaelides during the Be Radiant, O Peoples! tour this coming weekend. So in preparation, we wanted to share this review from our 2006 release of Peter Michaelides: The Divine Liturgy of St. John Chrysostom from AllMusic.com: “Cappella Romana’s Peter Michaelides: The Divine Liturgy of St.
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“Lovely becomes transcendent” – Cappella Romana in Playbill
“Dust particles pumped onto the stage swirl in golden light. The choir intakes breath again, but this time, the reverberation transports the entire audience to Turkey. They sing and it’s 537 A.D. This is what it must have felt like—nearly. Lovely becomes transcendent.” Read the whole review of Cappella Romana in Pop-Up Magazine here. CAPPELLA
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Portland Gala Speakers Announced!
RSVP today for A Night on the Aegean! Purchase tickets online or call 503.236.8202 RSVPs welcome as long as space is available or until Sept. 19th Portland Gala Guest Speakers: Fr. John Bakas Dean of the Cathedral of St. Sophia in Los Angeles, CA Founder of Camp AGAPE ‘Kids ‘n Cancer’ program President of the
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Latin Music in Cyprus
Literary witnesses to the cultivation of music by the French kings of Cyprus are found in a variety of sources, but nearly all of the surviving music associated with the Lusignan court is contained in a single manuscript: Torino Biblioteca Nazionale Universitaria J.II.9. This remarkable document was, according to Karl Kügle (2012), evidently copied between
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Passion and Resurrection
Ivan Moody (1964–2024) Passion And Resurrection Cappella Romana+ In MediO+ 45th Parallel Universe Alexander LingasFounder & Director Cappella Romana and In Medio (John Eisemann, director) form a choir of over 40 singers to perform Ivan Moody’s powerful oratorio Passion and Resurrection. English cantillation of Holy Week’s drama mixes with soul-stirring Orthodox hymns sung in Slavonic, Greek, and English, accompanied by
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Requiem for the Forgotten
Frank La Rocca (b. 1951) Requiem For The Forgotten with Josef Rheinberger’s Mass for Double Choir DIGITAL PREMIERE Available on-demand now Cappella Romana+ 45th Parallel Universe Richard SparksGuest Conductor Requiem for the Forgotten by Frank La Rocca for choir, organ, and strings commemorates the displaced and the homeless, championing the inherent dignity of every person. The
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Canon for Racial Reconciliation
Isaac Cates & Nicholas Reeves Canon for Racial Reconciliation Cappella Romana Isaac Cates & Anthony MaglioneGuest Conductors Experience a groundbreaking fusion of traditions with the Pacific Northwest première of the complete Canon for Racial Reconciliation for choir and gospel instrument ensemble. Isaac Cates (Gospel music) and Nicholas Reeves (Orthodox music) co-composed an unforgettable score to African American
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Lusitano: Black Composers of the Renaissance
Marian Consort Sings Lusitano: Black Composer of the Renaissance The Marian Consort United Kingdom Rory McCleeryFounder & Director Embark on a journey to 16th-century Portugal with music by Vicente Lusitano (1520–1561), the first published Black composer. The Marian Consort (UK) is the world’s leading ensemble for the music of Lusitano, led by Alexander Lingas’s good friend Rory
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Out of the Ashes of Smyrna
Out of the Ashes of Smyrna Tour Cappella Romana John Michael BoyerAssociate Director The acclaimed ensemble Cappella Romana (“simply beautiful” New York Times) comes to Boston and New Orleans this November. Led by John Michael Boyer, associate music director, they will sing Byzantine Chant at the beautifully renovated Dormition Church in Somerville and one of
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Great and Holy Friday in Jerusalem Program Notes
The J. Paul Getty Villa 17 & 18 May 2014 Cappella Romana Performs Medieval Byzantine Chant Program Great and Holy Friday in Jerusalem In the year 637 AD the orthodox Christian Patriarch Sophronios (d. 638) surrendered Byzantine Jerusalem to the Arab Caliph Umar, inaugurating a period of Muslim rule in the Holy City that would
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Language in American Orthodox Music: Liturgical and Pastoral Perspectives
Please join us for a webinar on “Language in American Orthodox Music: Liturgical and Pastoral Perspectives” hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. It has often been asserted that it is the tradition of the Orthodox Church to worship in the local language. Yet the historical reality has been


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