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Cappella Romana Welcomes Superstar Basso Profundo Glenn Miller for “The Vigil”
Among singers, they’re known as basso profundos. In Russian Orthodox music, they are referred to as oktavists. Whatever you call them, they are one of the rarest – and lowest – voice parts, often singing a full octave below the normal bass range, adding new dimension and depth to the sound of an ensemble. To
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Cappella Romana on Tour in Romania at the Iași Byzantine Music Festival
The Iași Byzantine Music Festival in Romania will present Cappella Romana, the world’s leading proponent of scholarship and performance of Medieval Byzantine Chant, in a concert on September 28, 2017, at 7:00 p.m., in the “Vasile Alecsandri” National Theatre. More information . Music director Dr. Alexander Lingas will lead a mixed ensemble of men and
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Behind the Arvo Pärt Festival Logo
The logo for Cappella Romana’s Arvo Pärt Festival, which begins on Sunday, has some hidden meanings we’d like you to notice. First, the P in Pärt and the T in Festival are aligned in order to form a Staurogram, a ligature in ancient Christian manuscripts for the noun “cross” or its verb form “crucify.” The
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Cyprus Named a Recording of the Year
Order Now MusicWeb International critic Johan van Veen names our Cyprus: Between Greek East & Latin West a 2016 Recording of the Year! “Cappella Romana is an ensemble which specializes in early and contemporary music of the Christian East and West. This explains that the programme recorded here sounds very idiomatic. The singing is impressive
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Cappella Romana Celebrates 25 Years!
Twenty-five years ago today (April 26, 1991) Cappella Romana made its debut in San Francisco! “Back in 1991, Portland native Alexander Lingas, the group’s artistic director, was living in San Francisco, singing as the assistant cantor at Annunciation Greek Orthodox Cathedral while studying for his doctoral exam. A recent earthquake had damaged the church, and
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Cappella Romana Celebrates Early Music Month!
Cappella Romana joins Early Music America and many other ensembles and organizations across the country in celebrating March as #EarlyMusicMonth2016! Sponsored by Early Music America, this national, grassroots campaign is designed to raise awareness of early music throughout the larger North American music community. Early Music Month seeks to connect enthusiasts, performers, presenters, scholars, builders,
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Byzantine Music in Cyprus
Manuscripts of Byzantine chant copied through the middle of the fifteenth century show that Cyprus remained closely tied to the musical mainstream of Byzantium. The two hymns (stichera) from the Greek office for St Hilarion included on the present recording are excerpts from a longer sequence of hymns interpolated on the eve of his feast
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Medieval Cyprus Between East and West
Located at a strategic point in the Eastern Mediterranean close to the coasts of Asia Minor (modern Turkey) and the Middle East, the island of Cyprus has been a site of commercial and cultural interchange since the dawn of civilization. Christianity came to the island with the apostles Paul and Barnabas, the latter of whom
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Orthodox Arts Journal Review for Good Friday
The Orthodox Arts Journal asks “How can music be alive?” in On History and Tradition: A Review of Cappella Romana’s “Good Friday in Jerusalem”. “Good Friday in Jerusalem is no exception to the level of quality that audiences have come to expect from Cappella Romana’s recordings; the singing on the disc is at once rich,
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Meet Stelios Kontakiotis
Stelios Kontakiotis, principal soloist Stelios Kontakiotis is protopsaltis (first chanter) of the Holy Temple of the Annunciation of the Virgin Mary on the sacred island of Tinos, Greece, one of the most prominent pilgrimage sites in Greece. Mr. Kontakiotis was born in Athens and grew up on the island of Amorgos (Cyclades-Greece). He began his
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July 4th Sale!
Save $10 per ticket to see The Tudor Choir in Portland in Sections A or B with coupon code “JULY4”. Valid until midnight on July 4! Buy Now and Save! Cappella Romana presents a festive summer concert Saturday, 26 July 2014, at St. Mary’s Cathedral celebrating Bach and his predecessors of the late-Renaissance and early-Baroque,


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