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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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The Russian Chant Revival
Major traditions of complex sacred music throughout Europe were shaped during the so-called “long nineteenth century” (the period of relative peace which lasted from the battle of Waterloo to the outbreak of World War I) by movements to recover elements of early traditions for modern use. These efforts, like contemporary “back-to-roots” endeavors in non-musical arts
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The Tallis Scholars: Metamorphosis
METAMORPHOSIS H. Praetorius: Magnificat IV Gibbons: Magnificat (‘Short’) Pärt: Magnificat Sheppard: Our father Tavener: Our father (1999 version) Stravinsky: Otche nash Palestrina: Pater noster (a5) Gallus: Pater noster (a8) Interval Chant: Ave Maria Mouton: Ave Maria – virgo serena Stravinsky: Bogoroditse devo Pärt: Bogoroditse devo Gibbons: Nunc dimittis (‘Short’) Eccard: Maria wallt zum Heiligtum Pärt:
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Smithsonian Magazine Features Icons of Sound
Our “Icons of Sound” concert and collaboration with Stanford University gets a fantastic feature in the Smithsonian Magazine: “Hagia Sophia, a former church and mosque, is an important part of Istanbul’s long history. Who knew its sublime sound could be transferred to Stanford? Twice in the past few years, Stanford scholars and scientists have worked
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Seattle Times Reviews Northwest Boychoir Stabat Mater
Ahead of their March 18th Portland performance, the Northwest Boychoir performed Pergolesi’s Stabat Mater with an ensemble of Seattle Symphony musicians under the direction of King’s College Choir director Stephen Cleobury: “The Boychoir, directed for the past 30 years by Joseph Crnko, has become a beloved Northwest fixture…with singing of exceptional clarity and balance, imposing
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Five Stars for Cyprus from Audiophile Audition!
Audiophile Audition‘s Steven Ritter gives Cyprus: Between Greek East & Latin West a ⭐️⭐️⭐️⭐️⭐️ rating! “Hearing this Orthodox and Roman Catholic music side-by-side is quite enlightening. Saturate yourself in either for about an hour and then switch for another hour, and you’ll swear they are the most disparate genres ever. Listen to both, sometimes alternating
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Cappella Romana LIVE on AllClassical Portland
February 4th, 2016, Alexander Lingas will lead seven Capella Romana singers and the award-winning Lee Trio in a LIVE broadcast performance of works by Rimsky-Korsakov, Dmitry Bortniansky, and Maximilian Steinberg during AllClassical FM’s Thursdays @ Three program! All Classical FM Thursdays @ Three: Each week, All Classical Portland presents Thursdays @ Three, live broadcast concerts
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Artslandia Reviews Handel’s Messiah
“…since 2010 the choruses have been sung by Cappella Romana, the city’s finest choir.… Given their long experience with the piece (and a wide range of other music besides), Cappella Romana was unsurprisingly terrific; their performance was a model of Handel performance and worth the price of admission on its own. Within and across sections,
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Expedition Audio Reviews Steinberg: Passion Week!
Paul Ballyk of Expedition Audio has a rave review for our Maximilian Steinberg: Passion Week recording! “Passion Week is a profoundly moving composition. From the opening, monophonic tones, it is clear that ancient chant is central to the work’s structure – in fact, all but one of the eleven sections is based directly on a
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Early Music America Reviews Good Friday in Jerusalem
Donald Rosenberg reviews our Good Friday In Jerusalem recording in Early Music America Magazine: “Here Cappella Romana travels back to the roots of Byzanitne chant to recreate a Good Friday service through the music of the 8th and 9th centuries. The recording shot to the top of Amazon and Billboard charts when released, and it
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Patrick Comerford Previews Cappella Romana’s All-Night Vigil Centennial Performance And More
After attending Dr. Alexander Lingas’ Kilkenny Arts Festival lecture “The Lost Music of Byzantium” last Saturday, blogger Patrick Comerford previews Cappella Romana’s upcoming Rachmaninoff All-Night Vigil concert series: “This year marks the centenary of the All-Night Vigil, the a cappella choral composition by Sergei Rachmaninoff, his Op. 37. … To mark this centenary, Cappella Romana
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Planet Hugill Reviews Maximilian Steinberg: Passion Week
Robert Hugill has a new review for our “Remarkable re-discovery” of Maximilian Steinberg’s Passion Week: “Musically it is very much in the same genre as Rachmaninov’s All Night Vigil (Vespers), the chant in Steinberg’s work has similar recognisable outlines. Steinberg’s harmony is more classical…and the chants stand out more in Steinberg. …Quite romantic in texture,
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