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We care about what you think.
We are making our final plans for the 2025-26 season and would love to hear from you about your preferences. Just take a few minutes to let us know your opinion here. We’d love your feedback. Thank you! Mark Powell, Executive Director
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Cappella Romana singer Kerry McCarthy wins major award!
Cappella Romana singer Kerry McCarthy, a graduate of Reed College and Stanford University, recently returned to Portland, OR after 11 years of teaching music history at Duke University. She is known for her work on early English music, and has just been awarded the 2014 ASCAP Nicolas Slonimsky Outstanding Musical Biography Award for her book
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What’s On Your Analogion? Podcast
Byzantine chant has a rich book and manuscript culture going back a millennium, but English language Byzantine chant books are still a very new thing. What does it take to produce beautiful chant books in a world where electronic devices and loose leaf binders have become the norm in their absence? How do they get
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Season guide
Fill out the following short form and we’ll send you Cappella Romana’s 2024-25 guide for great music all season long.
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Sacred Songs of Serbia — Program Notes: Part One
Sacred Songs of Serbia Serbian Chant and Church Choral Music Serbian chant is a type of monodic music which has remained in use as part of the Church’s liturgy from the time of Cyril and Methodius (the 9th century) to our day. With the granting of the independence to the Serbian Church in 13th century
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Liturgical Singing Seminar this weekend!
This Saturday (October 11) at the Church of the Annunciation, Milwaukie, OR, Cappella Romana favorite Mark Bailey will lead an interactive, full-day seminar/workshop focused on the actualization of music in Orthodox Christian worship so as to “enable a comprehensive and elevated liturgical experience through insightful and skilled leadership and participation.” Guest speakers will include His
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Cappella Romana to sing Divine Liturgy in San Jose
Saint Nicholas Greek Orthodox Church, San Jose, CA Sunday, September 28, 10:00am The Divine Liturgy, with music composed by Dr. Tikey Zes (as recorded by Cappella Romana) Under the direction of the composer, Dr. Tikey Zes Following the fundraising event for the PAOI in San Francisco on Saturday night, Cappella Romana will sing the Divine
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Acoustics of Hagia Sophia at the Ritz Carlton San Francisco
Cappella Romana is one of the featured artists to perform at the Ritz-Carlton Hotel in San Francisco, in a gala on September 27 to raise funds for the Patriarch Athenagoras Orthodox Institute at Berkeley. The team from Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) will be providing virtual acoustics for the event,
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Singer Spotlight: Richard Barrett
Our Singer Spotlight series continues with Richard Barrett! What Was Your Introduction to Cappella Romana? In 1996, as a sophomore voice major, I was introduced to a gentleman named Mark Powell, who was organizing a tour that my college choir was going on. I wound up not going on the tour, but a year and a half
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The Reviews are in for Odes of Repentance
We are so thankful for everyone who attended our 2023-24 Season Opening Concert, Odes of Repentance! And we can’t wait to see everyone again November 10-12, 2023 as John Michael Boyer leads Out of the Ashes of Smyrna! Coming Next – Arvo Pärt: Odes of Repentance – the album edition!
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ArtsWatch Reviews Fall of Constantinople
Oregon ArtsWatch reviews the Portland performance of The Fall of Constantinople, saying “Portland vocal ensemble excels in hometown performance before major European festival appearance”: “Just past what the Greeks called ‘dog days of summer,’ Cappella Romana shone like Sirius in our Portland sky. Saturday night the premier choral ensemble presented a thoughtful, dramatic performance of
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#ThrowbackThursday — Fall of Constantinople Gramophone Review
Before this weekend’s presentations of The Fall of Constantinople, here’s a look back at Gramophone Magazine’s review of our recording of this repertoire: “English-speaking audiences commonly associate Greek Orthodox plainchant with the music of John Tavener, whose work draws substantially from its ethos. This recording confronts plainchant with the compositions of another Western composer, albeit
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