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Support What You Love
In our final day (June 30), we have less than $5000 left to reach our fiscal year-end goal. Will you make a gift today to support the music you love? Beginning this year, we have a set of new benefits for all donors. Give $100, for example, and receive two passes to our new behind-the-scenes
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Planet Hugill Reviews Maximilian Steinberg: Passion Week
Robert Hugill has a new review for our “Remarkable re-discovery” of Maximilian Steinberg’s Passion Week: “Musically it is very much in the same genre as Rachmaninov’s All Night Vigil (Vespers), the chant in Steinberg’s work has similar recognisable outlines. Steinberg’s harmony is more classical…and the chants stand out more in Steinberg. …Quite romantic in texture,
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Arstlandia Interviews Ivan Moody Before From Darkness To Light
Arstlandia hosts a Q&A with From Darkness To Light guest conductor Ivan Moody and includes this preview of the performance: This coming weekend, May 16 and 17, classical choir Cappella Romana will bring star composer and conductor Ivan Moody to Portland to conduct From Darkness to Light, an intense program featuring the rarely-performed Choir Concerto
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Audiophile Audition Gives Passion Week Five Stars
Audiophile Audition gives Maximilian Steinberg: Passion Week a Five-Star review! “[Maximilian Steinberg’s] music is pretty much sunk in obscurity…Until now, that is. … His Op. 13 Passion Week is his seminal work in the genre, actually more a collection of pieces selected from various Holy Week services that could be used outside of the opus
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Good Friday in Jerusalem a “Home Run”
The “Almost Rational” blogger, Steven Bilow, calls Good Friday In Jerusalem a “Home Run” in his review: “Cappella Romana’s Good Friday in Jerusalem is a superb example of just how lovely this music can be. It was recorded in a Church at Stanford and engineered by some clearly acoustically savvy members of Stanford’s Center for
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Alexander Lingas Previews the 2025-26 Season on KOIN AM Extra
The 2025-26 Cappella Romana Season starts October 24 & 26! Artistic Director, Alexander Lingas, joined Portland’s KOIN AM Extra morning show to preview the season and catch you up on everything Cappella Romana has been up to this summer!
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Ockeghem Missa Mimi
Cappella Romana will perform the Missa Mimi by Johannes Ockeghem alongside excerpts from The Divine Liturgy by Tikey Zes in this weekend’s “Echoes of the Renaissance” concerts. Here, Dr. Tikey Zes conducts the Berkeley Chamber Singers in the Ockeghem Missa Mimi in a 1964 recording, likely the first recording ever made of this remarkable work.
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Requiem for the Forgotten, Cantus Missae (Program Notes by Mark Powell and Frank La Rocca)
Requiem for the Forgotten, Cantus Missae Program Notes by Mark Powell and Frank La Rocca Josef Rheinberger: Cantus Missae in E-flat major, Op. 109 SEATTLE Friday, March 28 @ 7:30pmSt. James Cathedral PORTLAND Saturday, March 29 @ 2:00pmSt. Mary’s Cathedral LAKE OSWEGO Sunday, March 30 @ 3pmOur Lady of the Lake Parish Josef Gabriel Rheinberger
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Singer Spotlight: Photini Downie Robinson
Our Singer Spotlight series continues with Photini Downie Robinson! When did you first begin singing with Cappella Romana? I started with Cappella Romana in 2007 by the name of Mel. I was a young tech professional with an 18-month-old toddler, new to Portland and hoping to break into the professional choral scene. To say that Cappella Romana
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Singer Spotlight: Meet Kristen Buhler
Our Singer Spotlight series continues with Kristen Buhler! What led you to singing professionally? I’ll never forget watching Choral Cross-Ties sing Samuel Barber’s Agnus Dei. I was a senior at Clackamas High School at the time, and heavily involved in choir and theater. I was enthralled with the powerful, emotional singing, and moved to tears. After


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