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Alexander Lingas’s Cappella Romana Playlist: Holy Week 2
Welcome to the third in a new series of playlists from the archives of Cappella Romana, featuring hymns selected from the Byzantine services of Holy Thursday and Holy Friday. Next week I will be back with Easter music from the archives of Cappella Romana. Meanwhile, please remember that streaming services return very little to their
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Tchaikovsky’s Divine Liturgy: Program Notes
Russian choral artistry, and especially its sacred choral singing, has long enjoyed the admiration of the Western musical world. After hearing the Choir of the Imperial Chapel of St. Petersburg in 1844, Robert Schumann wrote in his diary that “the Chapel is the most wonderful choir we have ever had the occasion of hearing.” Tchaikovsky
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Marcel Pérès Returns for Machaut: Messe de Nostre Dame
Following his Cappella Romana début in 2012 leading powerful chants from Santiago de Compostela, international early music star Marcel Pérès from Paris directs the earliest known Mass setting by a single composer, Guillaume de Machaut (1300-1377), with chants for Candlemas. Widely considered an iconoclast in the early music movement, Medieval Latin chant specialist Marcel Pérès
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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Hagia Sophia: A Space In Between Heaven and Earth
Professor Bissera Pentcheva presents Hagia Sophia: A Space In Between Heaven and Earth at Reed College Tuesday, November 15, 2016 – 4:45pm Eliot Hall 314 Free and open to the public More Information ** This event follows Cappella Romana’s residency with Dr. Pentcheva at Stanford, where the ensemble performed medieval Byzantine chant from Hagia Sophia
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Steinberg: Passion Week a Gramophone Recording of the Year
Gramophone Magazine released their 2015 Recordings of the Year issue and included our Maximilian Steinberg: Passion Week recording! “This important and exciting release from the Portland, Oregon-based 26-strong chamber choir is a notable successor to their ‘Good Friday in Jerusalem’ disc (5/15). … This recording closely followed what is believed to have been the premiere
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Gramophone Magazine Names Steinberg: Passion Week An Editor’s Choice!
Gramophone Magazine names our new Maximilian Steinberg: Passion Week recording an August Editor’s Choice! “This important and exciting release from the Portland, Oregon-based 26-strong chamber choir is a notable successor to their ‘Good Friday in Jerusalem’ disc (5/15). … This recording closely followed what is believed to have been the premiere complete performance by these
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Seattle First-Time Donor Contest
Seattle First-Time Donor Contest! For Seattle-area only: All gifts from first-time donors will be matched by a grant from the Herbert A. Templeton Foundation (up to $5000). First-time gifts of $100 or more, or $10/month or more, will be entered into a drawing to win a weekend getaway in Portland. Getaway package includes the following
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Cappella Romana To Perform Rachmaninoff’s Concerto for Choir!
Guest Director Ivan Moody adds Rachmaninoff’s Concerto for Choir to the program From Darkness to Light! “Rachmaninoff’s wonderful choir concerto is the perfect work to anchor this program. His music was both a culmination of a great tradition and a starting point for so much of what followed in Russia. In many ways it is,
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Good Friday In Jerusalem: Musical Time Travel
Oregon Artswatch breaks down our Good Friday In Jerusalem Concert saying, “Vocal ensemble’s Passion performance transports listeners to millennium-old sacred service”: “On a strictly sonic level, the concert at Portland’s Trinity Episcopal Cathedral was magnificent … As with last year’s concerts of Finnish Orthodox music, it was especially satisfying to hear the singers perform music
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Alexander Lingas: Music, Acoustics, and Ritual in Byzantium
Enjoy the following video from an Alexander Lingas presentation in the Stanford Seminar Series “Aural Architecture” given in 2013: http://youtu.be/F_QzG6TpXZk
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You can help us reach our $25K goal: Just $3K left to go!
As a student in 1991, I gathered a group of friends to share the beautiful and transformative musical inheritance of Byzantium. Today, over three decades later, Cappella Romana fulfills this mission on a global scale through performances, recordings, publications, and educational initiatives. None of this would have been possible without the generous financial support of
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