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Renaissance Easter on YouTube
Follow along as we collect videos on YouTube featuring Renaissance Easter in Spain and Portugal guest conductor Owen Rees and works from the program! Check out the playlist on our YouTube Channel below: Watch on YouTube Dr. Rees will conduct Cappella Romana in the Renaissance Easter in Spain and Portugal program. Get your tickets today!
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Cappella Romana to Receive $15,000 Grant from the National Endowment for the Arts
San Francisco, Calif.—National Endowment for the Arts Acting Chairman Mary Anne Carter has approved more than $80 million in grants as part of the Arts Endowment’s second major funding announcement for fiscal year 2019. Included in this announcement is an Art Works grant of $15,000 to Cappella Romana to support its ongoing concert series in
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Christmas in Ukraine
Khrïstos razhdayetsia! Slavite yeho! Christ is born! Glorify Him! When Cappella Romana invited me to prepare this concert “Christmas in Ukraine,” a wealth of musical memories came into my imagination. Since I am of Ukrainian descent, I felt instant inspiration and also a sense of responsibility. How can I represent the many centuries of Ukraine’s sacred
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The History of the Remembrance Poppy
During Cappella Romana’s They Are At Rest performances in Seattle (Nov. 9) and Portland (Nov. 11), the singers will be wearing poppies supplied by the American Legion – and will make them available to audience members – so we thought we’d look back at the “History of the Poppy” as set out by the Royal
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Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for
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Oregon ArtsWatch Review for The Vigil
Oregon ArtsWatch contributor Friderike Heuer shares a review from our Sunday performance of The Vigil at Trinity Episcopal Cathedral in Portland: “I cannot even remember the last time I had goosebumps like this while listening to live music.…I sat on a Sunday afternoon in a church attempting to hold back tears and racking my
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Cappella Romana Welcomes Superstar Basso Profundo Glenn Miller for “The Vigil”
Among singers, they’re known as basso profundos. In Russian Orthodox music, they are referred to as oktavists. Whatever you call them, they are one of the rarest – and lowest – voice parts, often singing a full octave below the normal bass range, adding new dimension and depth to the sound of an ensemble. To
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ArtsWatch Reviews Venice In The East
Bruce Browne reviewed Cappella Romana’s Saturday, April 28, 2018 performance of Venice in the East for Oregon ArtsWatch: Present were exquisite moments of choral artistry, impeccable tuning, bravura singing by all and thoughtful phrasing, especially by John Michael Boyer and Mark Powell, who together stood at the pinnacle of the solo work, especially many of
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Northwest Focus features Machaut: Messe de Nostre Dame
In the lead-up to our Machaut: Messe de Nostre Dame series, Seattle’s KING FM will be previewing the performance with Cappella Romana recordings on the Northwest Focus program! See the schedule: Date Time Music Mon, Jan 29 9:00pm Byzas: Sticheron Apostichon Idiomelon for St. Basil Tues, Jan 30 9:21pm Dufay: Lamentatio Sanctae Matris Ecclesiae Constantinpolitanae
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Sun of Justice: A Two-Fold Offering – Part Two
With this two-fold offering of traditional Byzantine Music, we seek to give the listener two distinct yet complementary experiences: first, that of being in a traditional Orthodox church somewhere in the Middle East, wherein one choir sings in Greek and the other in Arabic; and second: that of being in a traditional Orthodox church in
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Cappella Romana Rehearses Arctic Light II
Cappella Romana rehearsing “Psalm 84” by Cyrillus Kreek with renowned Finnish choral director Timo Nuoranne. The Psalms of Estonian composer Cyrillus Kreek (1889-1962) take a pride of place in “Arctic Light II.” Kreek and his family converted from the Lutheran church to the Orthodox faith in 1896, when Kreek was just seven years old. His


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