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The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed
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The Divine Liturgy of St. John Chrysostom by Tikey Zes
Dr. Zes first published in 1991 The Divine Liturgy of St. John Chrysostom recorded on this disc. In 1996 he reissued it in an expanded edition that he dedicated to Cappella Romana, which had presented the concert premiere of the work in 1992. It is a collection of choral settings intended for Orthodox liturgical use
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Fanfare Magazine Reviews Arctic Light
New “Feature Review” in Fanfare Magazine for our latest release, Arctic Light: Finnish Orthodox Music: “The music on this release—all of it a cappella and all polyphonic—includes what is, to these rather novice ears, some of the most adventurous music built on the Orthodox traditions. … One has only to hear the decidedly lush, late-Romantic
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Cappella Romana Invited to Perform at the Utrecht Early Music Festival
CAPPELLA ROMANA Invited to Perform at the Utrecht Early Music Festival Utrecht, Netherlands, September 2014 Cappella Romana is thrilled to announce that the Festival Oudemuziek (Early Music Festival) in Utrecht, Netherlands, has invited Cappella Romana to appear in this year’s festival on September 7, 2014 (oudemuziek.nl). The program will be “The Fall of Constantinople,” directed
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Cappella Romana Returns to Europe
Cappella Romana returns to Ireland and the Netherlands this month, first to make two recordings in Ireland and then to give the festival finale concert at The Utrecht Early Music Festival, Netherlands. The ensemble will first gather under the auspices of the Limerick Early Music Festival to film a concert for showing at the Iași
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Keeping Up with the Venetians — Part One
Keeping Up with the Venetians Program Notes for Venetian Baroque: Galuppi + Vivaldi + Bortniansky The islands in the Venetian lagoon, which by the 8th century had banded together to ally themselves with the Empire of the Romans governed from Constantinople (Byzantium), quickly became one of the inhabited world’s great centers of power and wealth.
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American Record Guide Reviews Hymns of Kassianí
The July/August 2021 issue of American Record Guide features a review of Cappella Romana’s new Hymns of Kassianí recording: “This is a recording I have long awaited. While the name of the Orthodox nun Kassia (or Kassiani, c.810-c.895) has slowly entered scholarly studies of music in the Middle Ages, her reputation has suffered from the
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Letter from Mark Powell, Executive Director
Introduction to Cappella Romana’s 30th Anniversary Season Dear Friends and Supporters, In late winter we usually are ready to share our next season with you, but given how this year has proceeded, we decided to wait until now to make any announcement. Over the last year, we have not lain dormant. Cappella Romana’s recording label
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Robert Hugill Gives Four Stars to Hymns of Kassianí
Robert Hugill gives a Four-Star Review to Hymns of Kassianí on his Planet Hugill blog: “much of the music on this disc is expansive, you need time to sit and allow the chant to expand and fill your consciousness. The music moves between the solid chant to more florid, flowing sections, the result is imaginative
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Audiophile Audition Gives Five Stars to Hymns of Kassianí
Audiophile Audition gives a five-star review to Cappella Romana’s Hymns of Kassianí recording: “Kassia is especially known for one particular piece, the Hymn of Kassiani, so-called because of its placement in the orthros (matins) service of Holy Wednesday. It is a masterly composition of great pathos, commemorating the harlot who anointed the feet of Jesus and
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Lost Voices of Hagia Sophia in Choir and Organ
The March/April 2021 issue of Choir and Organ Magazine has a review for our Lost Voices of Hagia Sophia recording: “Lost Voices of Hagia Sophia from Cappella Romana, directed by Alexander Lingas, is an extraordinary feat – the first vocal album ever to be recorded in live virtual acoustics. … Stunningly convincing sounds emerge as
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