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Privacy Policy
Who we are Our website address is: https://cappellaromana.org Our physical address is: 1201 SW 12TH AVE STE 415, PORTLAND, OR 97205 Our phone number is: (503) 236-8202 When visitors fill out forms on the site we collect the data shown in the form, and also the visitor’s IP address and browser user agent string to
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Refund and Returns Policy
This is a sample page. Overview Our refund and returns policy lasts 30 days. If 30 days have passed since your purchase, we can’t offer you a full refund or exchange. To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be
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Arctic Light: Orthodox Choral Music from Finland — Program Notes
Arctic Light Orthodox Choral Music from Finland The history of Orthodox Christianity in Finland goes back to the 12th century when trade was initiated between Carelia and traders from Novgorod. The early establishment of monasteries in Karelia, especially Valamo (Valaam) and Konevitsa on the islands of Lake Ladoga, and later, at Petsamo (Pechenga, on the
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Ave Maria: Program Notes
Josquin des Prez and Heinrich Isaac were two Renaissance composers with two quite different characters, in music and in life. We know what Isaac’s signature looked like because he dutifully signed the account books as a musical servant of the Emperor Maximilian. We know what Josquin’s signature looked like because he carved it (not at
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More on Ensemble Organum and Marcel Peres
About Ensemble Organum’s last record: Requiem of Divitis (16th century) For thirty years now, the vocal ensemble Organum has slowly but surely, far from the eye of the public at large, pieced together a veritable history of the singing of sacred music. With this new disc, Organum adds yet another layer to the knowledge of
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Benedict Sheehan Brings the Liturgy of Saint John Chrysostom to Life
“While listening, I closed my eyes and just let the voices of the Saint Tikhon Choir bring the liturgy alive in music. … In all honesty, the voices of the choir performing Sheehan’s setting gave me chills. This is an album I’ll be listening to often. I highly recommend this album to those who enjoy
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Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
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Byzantine Christmas: Sun of Justice – Taking the Journey
The ecclesiastical feast day celebrating the Nativity of Jesus Christ – which came to be called simply “Christ’s Mass,” or “Christmas” in English – was added to the calendar in the Eastern Church somewhat later than other major feasts. Originally, Christ’s Nativity and Baptism were celebrated on the same day: Epiphany (January 6). Much has
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The Tallis Scholars: Metamorphosis
METAMORPHOSIS H. Praetorius: Magnificat IV Gibbons: Magnificat (‘Short’) Pärt: Magnificat Sheppard: Our father Tavener: Our father (1999 version) Stravinsky: Otche nash Palestrina: Pater noster (a5) Gallus: Pater noster (a8) Interval Chant: Ave Maria Mouton: Ave Maria – virgo serena Stravinsky: Bogoroditse devo Pärt: Bogoroditse devo Gibbons: Nunc dimittis (‘Short’) Eccard: Maria wallt zum Heiligtum Pärt:
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Benjamin Tissell Reviews Rachmaninoff All-Night Vigil
A wonderful heartfelt review of our Rachmaninoff All-Night Vigil concert from artist Benjamin Tissell: “…it was with great relish that I spent last Saturday night trying to finagle my way into a choir concert for the student price. The choir was Cappella Romana, one of the best around. The piece was Rachmaninoff’s “All Night Vigil”
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Artslandia Interviews Mark Bailey
Artslandia interviews our Rachmaninoff: All-Night Vigil guest-conductor Mark Bailey! Here’s an excerpt, but you can find the full interview on www.artslandia.com: “What makes this group, Cappella Romana, a good fit for this music? And more generally, what do you enjoy about working with them? Cappella Romana brings so much to this work, for one, the
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ClassicalNet: Passion Week is An Ethereal Experience
ClassicalNet‘s Brian Wigman says Maximilian Steinberg: Passion Week is an example of why he’s “been a fan of Cappella Romana for a few years now”: “I’ve been a fan of Cappella Romana for a few years now, and they have thoroughly enriched our understanding of Orthodox choral music from all over the world. Director Alexander
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