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Cappella Romana in the Chicago Tribune
The Chicago Tribune has a great feature on the Heaven and Earth: Art of Byzantium From Greek Collections exhibit at the Art Institute of Chicago where Cappella Romana will perform on November 16th, and says the music of Cappella Romana is already bringing the exhibit to life: “Evidence of Byzantine spiritual life dominates ‘Heaven and
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Singer Spotlight: David Krueger
This Season, we are launching a new series spotlighting the voices of Cappella Romana to help you get to know the people behind the music. The series will allow our singers to share their history and stories of working with our ensemble as well as what they are working on outside of Cappella Romana. Our
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CityArts Reviews Seattle Fall of Constantinople
CityArts Magazine reviews Cappella Romana’s Seattle performance of The Fall of Constantinople: “In Cappella Romana’s latest program Friday night at St. Joseph Parish, “The Fall of Constantinople,” we heard some thoughts of the defenders in music of the era—from the Byzantine side in Greek, and the Catholic side in Latin. … the sound is hypnotic,
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ArtsWatch Reviews Fall of Constantinople
Oregon ArtsWatch reviews the Portland performance of The Fall of Constantinople, saying “Portland vocal ensemble excels in hometown performance before major European festival appearance”: “Just past what the Greeks called ‘dog days of summer,’ Cappella Romana shone like Sirius in our Portland sky. Saturday night the premier choral ensemble presented a thoughtful, dramatic performance of
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The Fall of Constantinople — Program Notes
Greeks and Latins had lived uneasily together in the Eastern Mediterranean ever since the sack and occupation of Constantinople (1204–61) by crusader knights. During the 14th and 15th centuries, however, the shrunken Byzantine Empire and the remaining Western colonies were often forced to cooperate in desperate attempts to defend themselves against the Ottoman Turks. This
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Somewhere In Between: Ivan Moody’s Greek Liturgy
For someone familiar with Greek Orthodox liturgy, today’s performance will echo the experience of actual services, with abbreviations appropriate to a concert. At the same time, those new to the form may experience the performance as though it were liturgically complete even with the adjustments made for a concert context. Cappella Romana presents here the
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Memory Eternal: Lycourgos Angelopoulos
A great friend of Cappella Romana, the Byzantine cantor and teacher Lycourgos Angelopoulos died on Sunday. Memory Eternal. Mr. Angelopoulos was the teacher of Dr. Alexander Lingas, and in many respects was the inspiration for the founding of Cappella Romana. John Michael Boyer was also his student. Both Dr. Lingas and Mr. Boyer will attend
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Oregon Arts Watch Reviews A Time for Life
Oregon Arts Watch with a review from our A Time For Life concert in Portland: “… Kyr’s work really shines in the atmosphere it creates. The very beginning is understated, with strings alone. But as the voices come in, starting with the low tenor, the string harmony starts to take flight. A haunting spirituality arises,
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Classical Net Raves about A Time For Life
Classical Net‘s Brian Wigman has a wonderful new review for our A Time For Life recording: “I am contending that great religious music, really great religious music, touches us all through beauty, musical thought, and sincerity of purpose. Therefore, this project is not only a major statement of ecumenical ideals, but also a major musical
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Catholic Insight Reviews Mt. Sinai: Frontier of Byzantium
On their new CD, Cappella Romana performs Byzantine musical treasures from the cathedrals and monasteries of the Eastern Roman Empire which were preserved from destruction in the Egyptian desert at the Greek Orthodox Monastery of St. Catherine at Mt. Sinai.… This music speaks to a higher self: its target is the divine and focuses the
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Throwback Thursday — A Time for Life a Best of 2007
A little “Throwback Thursday” post — The Oregonian world premiere performance of Robert Kyr’s A Time for Life named a “Best of 2007” by critic David Stabler: “Robert Kyr, among the country’s more socially active composers, mourned our planet with a gorgeous environmental oratorio that flooded St. Mary’s Cathedral with rapturous lyricism and a whiff


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