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Passion Week composer Maximilian Steinberg
A little about the April 2014 Passion Week composer Maximilian Steinberg Russian composer and teacher, Maximilian Steinberg from the St Petersburg University conservatory in 1908 where his teachers had been Rimsky-Korsakov (composition), Lyadov (harmony) and Glazunov (orchestration). In 1908 he began his teaching career at the conservatory, where he was a teacher of noted students
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Looking Back at A Time For Life
As we look forward to our May 2014 performance of Robert Kyr’s A Time For Life with the Third Angle New Music Ensemble, have a look back at an Oregonian review of our world premiere concert: “During an hour of music, the eight excellent voices of Cappella Romana (sopranos DenBeste and Stephanie Kramer, altos Jo
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A Patriarch’s Chant: Athanasios V
The following is taken from guest-artist Achilleas Chaldaiakis’ fantastic program notes available for this weekend’s performances. A Patriarch’s Chant: Athanasios V The Patriarch of Constantinople Athanasios V is an exceptionally important Church figure, widely renowned in the relevant historical research. He was a Cretan; through historians he is described as “a wise man, whose outstanding prosperity
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New Release — The Divine Liturgy of St. John Chrysostom
Now Available! The Divine Liturgy of St. John Chrysostom Cappella Romana Tikey Zes Dr. Tikey Zes (b. 1927) is the most prolific composer of Greek Orthodox liturgical music in America. This highly original Liturgy, which Zes dedicated to Cappella Romana, bears the marks of a composer long engaged with the traditions of Orthodox worship. Cumulatively
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The Divine Liturgy of St. John Chrysostom
The Divine Liturgy bearing the name of St. John Chrysostom (d. 407) is the form of the Eucharist celebrated most frequently in the modern Byzantine rite. Like the communion services of most other Christian traditions, it features two large sections: a service of the Word that climaxes with readings from the New Testament and concludes
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A Time For Life — Structure
The composite text for A Time for Life was adapted from a wide range of sources that explore the relationship of humanity to nature. The work is structured in three large-scale parts, as follows: Part I: Creation In the first part, the nature of creation is celebrated through praise for the Creator and through rejoicing
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Two
John Sakellarides and Greek American Choral Music for the Divine Liturgy The first notated examples of polyphonic music for the Byzantine rite—that is, music employing more than one vocal part intended for worship by Eastern Orthodox and Greek Catholic Christians—appeared shortly before 1453 among the works of singers who served at the courts of the
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed
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The Divine Liturgy of St. John Chrysostom by Tikey Zes
Dr. Zes first published in 1991 The Divine Liturgy of St. John Chrysostom recorded on this disc. In 1996 he reissued it in an expanded edition that he dedicated to Cappella Romana, which had presented the concert premiere of the work in 1992. It is a collection of choral settings intended for Orthodox liturgical use
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The Oregonian Gives a Rave over the Messiah Performance
The Oregonian has a rave review for our Messiah performance with Portland Baroque Orchestra: “At the end of the evening, the loudest cheers went for the Portland choir Cappella Romana, which has done choral duties for PBO’s “Messiah” for the past several years. Well-blended, confident and informed by long experience of the piece, they cruised
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Artslandia Sings Praises for The Messiah Performances with Portland Baroque Orchestra
Artslandia has a new review from last weekend’s Messiah concerts with Portland Baroque Orchestra: “PBOs partnership with Cappella Romana is now in its seventh year and the professional chorus of 24 singers makes all the difference. The familiar choruses were accurate and compelling, bringing out the brightness and optimism of the Old Testament prophecies and
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Venetian Baroque in March!
Venetian Baroque: Galuppi + Vivaldi + Bortniansky CAPPELLA ROMANA, PORTLAND BAROQUE ORCHESTRA at the PORTLAND ART MUSEUM, conducted by Mark Bailey. Grand scale and rarely heard sacred choral works by Baldassare Galuppi, who was Maestro di Cappella at San Marco in Venice as well as at Catherine the Great’s Imperial Chapel in St. Petersburg. Includes
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