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Toensing Kontakion preview in the Seattle PI
Full text of the article Toensing’s ‘Kontakion’ gets local debut By R.M. CAMPBELLP-I MUSIC CRITIC From its first days in the early 1990s, Cappella Romana has cut a long, deep swath through music: from the Byzantine empire that ended in 1453 and its Slavic descendants to the modern world. There are other vocal groups in
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Events at City University London
FOR IMMEDIATE RELEASEContact: Louise Gordon, Concerts Manager, +44 (0) 20 7040 8271, louise.gordon.1@city.ac.uk City University Brings ‘Voices of Byzantium’ to London ‘robust and intriguing music’—The Washington Post, 2 DEC. 06‘sung with such strength and commitment’ —Los Angeles Times, 12 DEC. 06 London. [12 February 2009] — In March 2009, the Department of Music at City
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Cyber Monday – Mt. Sinai: Frontier of Byzantium
One of the premiere recordings available in our Cyber Monday Week Sale is our recent recording Mt. Sinai: Frontier of Byzantium! Mt. Sinai: Frontier of Byzantium Cappella Romana performs exquisite Byzantine musical treasures—from the cathedrals and monasteries of the Eastern Roman Empire—preserved from destruction in the Egyptian desert at the Greek Orthodox Monastery of St.
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Indiana Public Media’s Harmonia features Mt. Sinai: Frontier of Byzantium
Indiana Public Media’s “Harmonia Early Music” program featured Cappella Romana release Mt. Sinai: Frontier of Byzantium as a part of their “Christmas Carols, Chant and Legend” episode. From Harmonia Early Music: “Byzantine” chant has roots in ancient Greek music, as well as in the Jewish synagogue and in poetry and hymns composed in Syriac in
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New Release — A Time For Life
Now Available! A Time for Life: An Environmental Oratorio Robert Kyr Cappella Romana Third Angle New Music Commissioned by Cappella Romana and inspired by the initiatives of His All-Holiness +BARTHOLOMEW Ecumenical Patriarch of Constantinople, Robert Kyr’s A Time for Life explores the urgent issue of ecological crisis through texts from the Greek Orthodox Service of
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Early Music America Reviews Mt. Sinai Frontier of Byzantium
Early Music America magazine has a new review for our recent Mt. Sinai: Frontier of Byzantium recording: “The music speaks to a higher self: its target is the divine and focuses on the soul in direct union with God. One of its hallmarks is the luxurious usage of time. The repetitions of notes have an
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Fanfare Reviews “A Time for Life”
Fanfare Magazine has a new review for our Robert Kyr: A Time for Life release: “This is my first exposure to the music of Robert Kyr (born 1952). I hope it not to be my last. The idea of a pan-religious frame of reference to address man’s ecological concerns is an attractive one, and it
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Cappella Romana Returns to Europe
Cappella Romana returns to Ireland and the Netherlands this month, first to make two recordings in Ireland and then to give the festival finale concert at The Utrecht Early Music Festival, Netherlands. The ensemble will first gather under the auspices of the Limerick Early Music Festival to film a concert for showing at the Iași
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Toronto Early Music News Reviews Mt. Sinai: Frontier of Byzantium
The Toronto Early Music News Winter 2014 issue has a new review of our Mt. Sinai: Frontier of Byzantium recording! “This music speaks to a higher self; its target is the divine and focuses the soul in direct union with God. One of its features is the luxurious usage of time. Time seems to be
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Cappella Romana returns to the recording studio this month!
Heaven and Earth, with John Tavener’s Ikon of Light. Guest post by Richard Barrett, Artistic Director of The Saint John of Damascus Society In July 2012, nine years ago this month, my friend Dr. Harold Sabbagh and I had initial conversations about a spark of an idea. He was infectiously enthusiastic about CERN’s then-recent confirmation
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InfoDad review for Hymns of Kassianí
Family-focused review site, InfoDad, reviews our Hymns of Kassianí as a “revelatory” release: “The excellent and expressive voices of Cappella Romana are ideally suited to introduce the music of Kassianí to a wider audience, which is just what they do in a new recording on the ensemble’s own label. Under the sensitive and knowing direction


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