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The Wall Street Journal Reviews Passion Week!
The first review for the world premiere performance of Maximilian Steinberg’s Passion Week comes from The Wall Street Journal: “At St. Mary’s, the opening verses of the alleluia of ‘Passion Week,’ intoned in Church Slavonic by one of Cappella’s stentorian bass voices, seemed to portend another dose of the ensemble’s usual hieratic Byzantine and Russian
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Maximilian Steinberg, “Passion Week”, Op. 13 — Notes
Historians of Orthodox Christianity have charted the emergence of a ‘Russian Religious Renaissance’ out of the so-called ‘Silver Age’ of Russia, the culturally fruitful but politically turbulent decades immediately prior to the Bolshevik takeover in 1917. This movement encompassed a broad range of efforts aimed at various forms of spiritual, ecclesial, cultural, and national renewal
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Meet Vladimir Morosan
Meet our Passion Week, pre-concert lecturer, Vladimir Morosan courtesy of the Orthodox Arts Journal: Dr. Vladimir Morosan, Founder and President of Musica Russica, is one of the leading experts outside Russia in the fields of Russian choral music and Orthodox liturgical music. After completing his undergraduate degree in music at Occidental College, in Los Angeles,
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A TIME FOR LIFE (FILM PREMIERE)
Robert Kyr’s A Time for Life: FILM Cappella Romana Special launch event in collaboration with Anima Mundi Productions, on Sunday, April 18 at 5:30 Pacific Join us for a new multimedia video performance of Robert Kyr’s stunning environmental oratorio, A Time for Life, now reimagined with visuals of breathtaking landscapes created and curated by the composer.
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Women in Sacred Chant: Past and Present
In tandem with the album launch for “Hymns of Kassianí,” this panel highlighted two dimensions of women’s contributions to Christian sacred music: as composers and as performers (singers). This history has been often marginalized or even disregarded in general histories of Christianity, yet it has been – and continues to be– important to the continuing
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Musical Style and Tradition in American Orthodox Churches: Chant and Polyphony
This webinar, “Musical Style and Tradition in American Orthodox Churches,” was hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. For centuries differences in musical style – especially the distinction between chant (unadorned melody) and polyphony (music sung in multiple parts) – have served Orthodox Christians as aural badges of
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Let My Prayer Arise! Music in the Experience of African American Orthodox Christians
With Fr. Turbo Qualls, Nun Katherine Weston (Fellowship of St. Moses the Black), and Dr. Shawn Wallace (Associate Professor of Jazz Studies at the Ohio State University and Orthodox Christian), and Dr. Peter Bouteneff, Dr. Rob Saler, and Dr. Alexander Lingas. Our panelists discuss the intersection of Orthodox liturgical music traditions and the African American
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SB at the 2012 Reading and Leeds Festivals
SB is set to perform at The 2012 Reading and Leeds Festivals. The band will hit the main stage at the Reading Festival on Friday, August 24th and the Leeds Festival on Saturday, August 25th.
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Christmas in the Summer: Preparing for Toensing’s Kontakion
In 2006 Cappella Romana was approached by the composer Richard Toensing to record a set of his Christmas carols and a new major work for double choir and soloists, The Kontakion of the Nativity of Christ, with a translation based on the English text by Fr. Ephrem Lash. Last night (24 July 2007) was the
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Review of A TIME FOR LIFE
Today’s Oregonian posted an excellent review of Cappella Romana’s program, A Time for Life. A PDF of that review can be viewed here: Review of A Time for Life, The Oregonian, November 5, 2007 Full text also here: ‘Time’ cries out for planet’s salvation Monday, November 05, 2007 DAVID STABLER The Oregonian Staff A tenor
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NEW Double CD | BYZANTIUM IN ROME: Medieval Byzantine Chant from Grottaferrata
NEW Double CDBYZANTIUM IN ROME: Medieval Byzantine Chant from Grottaferrata Click here to order. Sound samples: Teleutaion Alleluia | Prosomoia for St. Benedict | Kontakion for St. Bartholomew | Communion for Pentecost This release by Cappella Romana is a breathtaking collection of Medieval Byzantine Chant sung from manuscripts made at the Abbey of Grottaferrata in
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Cappella Romana (Arctic Light) in the Japanese Press
Cappella Romana’s Arctic Light was picked up by Jen Magazine, shown above.
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