-
TWO New Cappella Romana CDs in Just FIVE Days!
We are officially FIVE days away from the release of TWO new Cappella Romana recordings! And the best part is, you can purchase BOTH recordings before they are officially released during this weekend’s concerts! Tikey Zes: Divine Liturgy Dr. Tikey Zes (b. 1927) is the most prolific composer of Greek Orthodox liturgical music in America.
-
Peter Michaelides and The Divine Liturgy of John Chrysostom
Cappella Romana will be premiering a new work from Peter Michaelides during the Be Radiant, O Peoples! tour this coming weekend. So in preparation, we wanted to share this review from our 2006 release of Peter Michaelides: The Divine Liturgy of St. John Chrysostom from AllMusic.com: “Cappella Romana’s Peter Michaelides: The Divine Liturgy of St.
-
Looking back at Cappella Romana in Greece
Now that LIVE IN GREECE is officially released, we’re taking the rest of the time this week to look back at our time on the tour when we made the recording. Cappella Romana on National Greek Television: Tour Video: Cappella Romana LIVE IN GREECE: From Constantinople to California Ancient Byzantine chants begin this 1,000-year journey
-
Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
-
Ivor Gurney: “Since I Believe”
Choir & Organ Magazine has a wonderful feature on the recent publication of Ivor Gurney’s Since I Believe in God the Father Almighty Motet. Cappella Romana is excited to be giving the North American premiere performance on our They Are At Rest series November 9 and 11, 2018: “Composed in June 1925, the motet for
-
Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
-
For Your Consideration
Cyprus: Between Greek East & Latin West Cappella Romana Alexander Lingas, artistic Director Produced since 2004 by GRAMMY Award-winning producer Steve Barnett, Cappella Romana performs “music of purity and radiance” (Gramophone) in concerts of “luminous beauty” (Washington Post). Appearances in New York, Chicago, Los Angeles, London, Athens, Utrecht, Regensburg, and in the US Northwest all
-
25th Anniversary Season Opens This Weekend!
This Weekend: Opening Concerts of Cappella Romana’s 25th Anniversary Season! Orthodox Music: Ancient & Modern A reprise of Cappella Roman’s debut performance, which was given in 1991! The program includes selections from Rachmaninoff’s All-Night Vigil, rarely heard Byzantine chants from Constantinople, and Greek American choral works. 25th Anniversary Features in the News! The Oregonian The
-
Latin Music in Cyprus
Literary witnesses to the cultivation of music by the French kings of Cyprus are found in a variety of sources, but nearly all of the surviving music associated with the Lusignan court is contained in a single manuscript: Torino Biblioteca Nazionale Universitaria J.II.9. This remarkable document was, according to Karl Kügle (2012), evidently copied between
-
Follow Cappella Romana on Instagram!
Follow Cappella Romana on Instagram! View this post on Instagram A post shared by Cappella Romana (@cappellaromana) View this post on Instagram A post shared by Cappella Romana (@cappellaromana) View this post on Instagram A post shared by Cappella Romana (@cappellaromana) View this post on Instagram A post shared by Cappella Romana (@cappellaromana) View this
-
Good Friday In Jerusalem in The Oregonian!
The Oregonian‘s David Stabler features our Amazon chart-topping Good Friday In Jerusalem release: “Alexander Lingas leads Cappella’s all-male version in stirring performances, anchored by bass drones underneath meditative melody. The feeling is profound, devotional and powerful in its simplicity, reflecting the pathos of Good Friday, the day Christ died. … Holding drone pitches and singing
-
Echoes of the Renaissance — Program Notes
In his magisterial The Rise of European Music, 1380–1500, Reinhard Strohm traces the development and dissemination of complex styles of music written with multiple voice parts using measured (‘mensural’) notation that enabled precise rhythmic coordination of the voices. By the middle of the fifteenth century the most notable centers for the production of this polyphonic
You must be logged in to post a comment.