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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Two
John Sakellarides and Greek American Choral Music for the Divine Liturgy The first notated examples of polyphonic music for the Byzantine rite—that is, music employing more than one vocal part intended for worship by Eastern Orthodox and Greek Catholic Christians—appeared shortly before 1453 among the works of singers who served at the courts of the…
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The Divine Liturgy Of St. John Chrysostom — Liner Notes Part Three
A Second Generation of Greek American Church Musicians After the Second World War a second generation of Greek American church musicians emerged, some of whom had received training in Western art music at American universities. The composers among them soon began to recast the legacy of Sakellarides by rescoring his harmonized works idiomatically for mixed…
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The Divine Liturgy of St. John Chrysostom by Tikey Zes
Dr. Zes first published in 1991 The Divine Liturgy of St. John Chrysostom recorded on this disc. In 1996 he reissued it in an expanded edition that he dedicated to Cappella Romana, which had presented the concert premiere of the work in 1992. It is a collection of choral settings intended for Orthodox liturgical use…
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The Oregonian Gives a Rave over the Messiah Performance
The Oregonian has a rave review for our Messiah performance with Portland Baroque Orchestra: “At the end of the evening, the loudest cheers went for the Portland choir Cappella Romana, which has done choral duties for PBO’s “Messiah” for the past several years. Well-blended, confident and informed by long experience of the piece, they cruised…
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Artslandia Sings Praises for The Messiah Performances with Portland Baroque Orchestra
Artslandia has a new review from last weekend’s Messiah concerts with Portland Baroque Orchestra: “PBOs partnership with Cappella Romana is now in its seventh year and the professional chorus of 24 singers makes all the difference. The familiar choruses were accurate and compelling, bringing out the brightness and optimism of the Old Testament prophecies and…
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Alexander Lingas Talks Passion Week Cycle on the Orthodox Arts Journal
Alexander Lingas has a new article on the Orthodox Arts Journal on the re-discovery of Maximilian Steinberg’s Passion Week Cycle, Op. 13! The article, “Passion Week, Opus 13 by Maximilian Steinberg (1883–1946): The Recovery of a Neglected Musical Contribution to the Russian Religious Renaissance” traces the history of the Russian Religious Renaissance and the story…
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Letter from Mark Powell, Executive Director
Introduction to Cappella Romana’s 30th Anniversary Season Dear Friends and Supporters, In late winter we usually are ready to share our next season with you, but given how this year has proceeded, we decided to wait until now to make any announcement. Over the last year, we have not lain dormant. Cappella Romana’s recording label…
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MusicWeb International Reviews Hymns of Kassianí
Dominy Clements reviews Hymns of Kassianí for MusicWeb International: “much to appreciate in this substantial recording of Kassianí’s music… Cappella Romana is a leading vocal ensemble that is best known for its performances of Byzantine chant, and you have the feeling that you are in safe hands in the way they bring Kassianí’s ancient manuscripts…
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Hymns of Kassianí Gets Highest Rating from ConcertoNet
Critic Linda Holt gives ConcertoNet‘s highest rating (4 Stars) to our new Hymns of Kassianí recording! “Cappella Romana… is transforming the dry, brittle pages of ancient Byzantine scores into living musical lyricism with a broad international appeal. … Their latest album provides a stunning entrée to the work of Kassianí, an Orthodox woman, monastic and…
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Preview Works on The Tudor Choir Program
Preview The Tudor Choir’s upcoming concerts with these recordings of works on the upcoming concert program: MARENZIO: Magnificat octavi toni a 8 [soundcloud url=”https://api.soundcloud.com/tracks/156309986″ params=”color=ff5700&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] PALESTRINA: Magnificat a 8 [soundcloud url=”https://api.soundcloud.com/tracks/92056198″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /] Cappella Romana presents a festive summer concert Saturday, 26 July 2014, at St. Mary’s Cathedral…
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Toronto Early Music News Reviews Mt. Sinai: Frontier of Byzantium
The Toronto Early Music News Winter 2014 issue has a new review of our Mt. Sinai: Frontier of Byzantium recording! “This music speaks to a higher self; its target is the divine and focuses the soul in direct union with God. One of its features is the luxurious usage of time. Time seems to be…
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Sheehan’s Liturgy offers a much needed refuge
HRAudio.net’s Adrian Quanjer reviews Benedict Sheehan’s Liturgy of St. John Chrysostom: “‘In times of difficulty and insecurity, like now with a highly contagious virus spreading over the world, people will search for something tangible to hold on to. Something that gives warmth and hope, doesn’t change and has already for a long time been an…
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