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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of
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Cappella Romana Members to Perform A Byzantine Christmas
Cappella Romana members Spyridon Antonopoulos and John Michael Boyer to perform A Byzantine Christmas: A Concert of Byzantine Chants and Greek Carols as presented by The Greek Institute in Cambridge, Massachusetts. The Greek Institute invites you to its third annual Byzantine Christmas. Music Director Spyridon Antonopoulos is joined by acclaimed chanters and world musicians from Boston and beyond in a
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Rachmaninoff: Divine Liturgy – This Weekend!
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this weekend Cappella Romana presents Rachmaninoff’s Divine Liturgy of St. John Chrysostom! Get your tickets today!
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Get a look at Bing Concert Hall
February 1st, Cappella Romana will perform in Stanford University’s all-new Bing Concert Hall (just opened this past weekend)! Cappella Romana will perform the “From Constantinople to California” program amid acoustics electronically enhanced to simulate the lush resonances of the ancient Hagia Sophia cathedral in Istanbul, Turkey in collaboration with faculty in Art & Art History and the
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Cappella Romana and CCRMA Time Travel to Hagia Sophia
Stanford Live Magazine has a fantastic article chronicling the process of re-creating the Hagia Sophia in our upcoming “From Constantinople to California” performance. Read the introduction by author Jason Victor Serinus here, and then find the full article at www.livelyarts.stanford.edu! Total Sacred Immersion: Cappella Romana and CCRMA Time Travel to Hagia Sophia The universe may
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Cappella Romana Holy Week in Jerusalem Program Notes – Part One
Saturday, February 2nd, after their sold-out Bing Concert Hall debut, amid the natural acoustics of Memorial Church, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher. Great and Holy Friday in Jerusalem (Part One) In the year 637 A.D. the orthodox Christian Patriarch
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Cappella Romana Holy Week in Jerusalem Program Notes – Part Two
Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Great and Holy Friday in Jerusalem (Part Two) Stanford Memorial Church
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Cappella Romana Holy Week in Jerusalem Program
Saturday, February 2nd, the day after our (already sold-out) Bing Concert Hall debut, Cappella Romana will perform music composed for 8th and 9th-century celebrations of Holy Week in Jerusalem’s Church of the Holy Sepulcher amid the natural acoustics of the Stanford University Memorial Church. Take a look at what Cappella Romana will be performing: The
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Cappella Romana Stanford Residency – This Weekend
This weekend: The Northwest-based vocal ensemble Cappella Romana offers two quite distinct programs and experiences in two venues. At Bing Concert Hall, in collaboration with faculty in Art & Art History and the Center for Computer Research in Music and Acoustics (CCRMA), Cappella Romana performs Byzantine Chant and contemporary works amid acoustics electronically enhanced to
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Ross Ritterman Guest Blogs on preparing the CCRMA for Tonight’s Concert
Guest blog from Holy Cross Greek Orthodox Church’s Ross Ritterman: The CCRMA Crew working to hang the 24 speakers for tonight’s performance My name is Ross Ritterman and I am one of a group of about 10 people who help lead many of the services at Holy Cross Greek Orthodox Church in Belmont, California. In
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Friday Night Recap – Cappella Romana Time Travels to Hagia Sophia
“It is impossible to describe the experience objectively; to even attempt to do so would miss the point of a sensual experience meant to induce a transcendent state. Throwing all caution to the winds, as it were, the “performance” was the closest to lift-off I have experienced short of chemically enhanced listening sessions or the


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