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IBMF Concert Video and Photos!
Enjoy the full concert video of Thursday night’s Cappella Romana concert in the Iași Byzantine Music Festival, at the Teatrul National „Vasile Alecsandri” Iași. Check out our new photo albums as well, with concert images and scenes around Iași, Romania. Full Concert Video (Cappella Romana begins about 30 minutes in) Program Notes Concert Photos Romania
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American Record Guide Review for Cyprus
Buy Now “Alexander Lingas is one of today’s leading experts on Byzantine music, but he has also developed a vocal group, the Cappella Romana, that has been building an impressive catalog of recordings ranging through the span of Greek Orthodox music, including contemporaneous practice both abroad and in the USA. The present program is an
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Spyridon Antonopoulos on Medieval Church Acoustics
The Red Bull Music Academy features an interview with Cappella Romana’s own Dr. Spyridon Antonopoulos and Emma Warren for an exploration of the transcendent impact and contemporary relevance of medieval acoustics: “‘Kalophonic music was more embellished and abstract,’ explains Antonopoulos. ‘There are entire compositions of just syllables. It’s an evolution where music seems to usurp
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Fanfare Magazine Review for Cyprus: Between Greek East and Latin West
New Fanfare Magazine review for our Cyprus: Between Greek East and Latin West recording! “Musicologist Alexander Lingas continues his mesmerizing exploration of the music of both traditions with a release that offers, as he states in his extensive notes, ‘a sampling of the Byzantine and Latin sacred music that someone could have encountered during the
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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The Russian Chant Revival
Major traditions of complex sacred music throughout Europe were shaped during the so-called “long nineteenth century” (the period of relative peace which lasted from the battle of Waterloo to the outbreak of World War I) by movements to recover elements of early traditions for modern use. These efforts, like contemporary “back-to-roots” endeavors in non-musical arts
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Photos from Bouillon!
See more Reception: These engagements were supported by the Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation.
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Photos from Namur
Information from the performance in Namur. These engagements were supported by the Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation.
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Seattle Times Reviews Northwest Boychoir Stabat Mater
Ahead of their March 18th Portland performance, the Northwest Boychoir performed Pergolesi’s Stabat Mater with an ensemble of Seattle Symphony musicians under the direction of King’s College Choir director Stephen Cleobury: “The Boychoir, directed for the past 30 years by Joseph Crnko, has become a beloved Northwest fixture…with singing of exceptional clarity and balance, imposing
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Five Stars for Cyprus from Audiophile Audition!
Audiophile Audition‘s Steven Ritter gives Cyprus: Between Greek East & Latin West a ⭐️⭐️⭐️⭐️⭐️ rating! “Hearing this Orthodox and Roman Catholic music side-by-side is quite enlightening. Saturate yourself in either for about an hour and then switch for another hour, and you’ll swear they are the most disparate genres ever. Listen to both, sometimes alternating
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Artslandia Reviews Handel’s Messiah
“…since 2010 the choruses have been sung by Cappella Romana, the city’s finest choir.… Given their long experience with the piece (and a wide range of other music besides), Cappella Romana was unsurprisingly terrific; their performance was a model of Handel performance and worth the price of admission on its own. Within and across sections,


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