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Christmas in Ukraine
Khrïstos razhdayetsia! Slavite yeho! Christ is born! Glorify Him! When Cappella Romana invited me to prepare this concert “Christmas in Ukraine,” a wealth of musical memories came into my imagination. Since I am of Ukrainian descent, I felt instant inspiration and also a sense of responsibility. How can I represent the many centuries of Ukraine’s sacred
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Cappella Romana BOGO Recording Sale
Give the gift of music with Cappella Romana’s acclaimed recordings. With every CD you’ll receive full texts and translations, biographies, and program notes to deepen your understanding and enjoyment of the music. Now through December 16, buy one CD and get the second CD FREE! Offer Ends December 16, 2018 at 11:59pm – so ORDER
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They Are At Rest – Program Notes
At the eleventh hour of the eleventh day of the eleventh month of 1918, an armistice was signed which brought to a close the greatest human conflict so far known to man. What had begun as a border dispute in the Balkan States of South-Eastern Europe in 1914, expected to last but a few weeks,
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The History of the Remembrance Poppy
During Cappella Romana’s They Are At Rest performances in Seattle (Nov. 9) and Portland (Nov. 11), the singers will be wearing poppies supplied by the American Legion – and will make them available to audience members – so we thought we’d look back at the “History of the Poppy” as set out by the Royal
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Cappella Romana and Third Angle New Music share historic downtown workspace
PORTLAND, OR— The sounds of music, from medieval chant to math rock, are ringing out from a single set of offices in the Gus J. Solomon U.S. Courthouse in Portland, Oregon. Third Angle New Music is delighted to announce that it has established its new office in the top floor of the former courthouse, subleased
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Alexander Lingas Receives New Title
Cappella Romana artistic director Alexander Lingas has received the title of Archon Mousikodidaskalos (Music Teacher) of the Great Church of Christ on behalf of His All-Holiness, Bartholomew I, Archbishop of Constantinople-New Rome and Ecumenical Patriarch. Dr. Lingas said “I am humbled to receive this title from His All-Holiness, Ecumenical Patriarch Bartholomew I. I am also
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Mark Powell: A Passion for Pärt
I was in college in 1988. At some point that year I made one of my reasonably frequent visits to the Tower Records near the Space Needle in Seattle. In the Classical Room (remember those!?) there was some amazing music playing, and I stood in silence not really knowing what I was hearing, but intuitively
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For Your Consideration
Cyprus: Between Greek East & Latin West Cappella Romana Alexander Lingas, artistic Director Produced since 2004 by GRAMMY Award-winning producer Steve Barnett, Cappella Romana performs “music of purity and radiance” (Gramophone) in concerts of “luminous beauty” (Washington Post). Appearances in New York, Chicago, Los Angeles, London, Athens, Utrecht, Regensburg, and in the US Northwest all
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CityArts Reviews Seattle Rachmaninoff Concert
CityArts critic Philippa Kiraly reviews Cappella Romana’s Rachmaninoff All-Night Vigil performance in Seattle: “This wasn’t a requiem, but the beautiful All-Night Vigil of Sergei Rachmaninoff was highly appropriate to the day (9/11), the occasion and the cathedral, and perfectly suited to Cappella Romana. … The Vigil is replete with colors, rhythms, textures and emotion, creating
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Cyprus Recording Session Photos
A look at the first night of Cappella Romana’s Cyprus: Greek East & Latin West recording sessions: Hear it this season: Cyprus: Greek East & Latin West To this day, the island of Cyprus stands at a crossroads between East and West. Alexander Lingas leads Cappella Romana in an intrepid exploration of Cypriot music in
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Cyprus Recording Rehearsals
Enjoy some photos from our rehearsals as we prepare to record our Cyprus: Greek East & Latin West program this week: Also, enjoy a look back at our 2008 Cyprus rehearsals: Cyprus: Greek East & Latin West To this day, the island of Cyprus stands at a crossroads between East and West. Alexander Lingas leads
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Handel’s Messiah — Notes by John Butt
Messiah The libretto that the irascible Charles Jennens sent to Handel at some point in the summer of 1741 was not in itself an extraordinary document within the Christian tradition. After all, the Gospels and Epistles already made ample reference to the way in which the New Testament was foretold in the Old, and this tradition
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