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Arctic Light II: Northern Exposure – Program Notes
The genesis of this concert program occurred last season in January 2017 after renowned Finnish choral conductor Timo Nuoranne was slated to appear with Cappella Romana to direct Einojuhani Rautavaara’s Vigilia (All-Night Vigil). Timo Nuoranne has championed that work in particular throughout his career, having performed it with both Finnish and non-Finnish choirs, and made
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Cappella Romana Rehearses Arctic Light II
Cappella Romana rehearsing “Psalm 84” by Cyrillus Kreek with renowned Finnish choral director Timo Nuoranne. The Psalms of Estonian composer Cyrillus Kreek (1889-1962) take a pride of place in “Arctic Light II.” Kreek and his family converted from the Lutheran church to the Orthodox faith in 1896, when Kreek was just seven years old. His
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Venice in the North
Following the Ottoman conquest of Constantinople in 1453, the peoples of Russia and Ukraine began to look to the West not only for trading partners, but also for political, intellectual and artistic models. The Westernization of northern Slavic societies rooted in Byzantine traditions of governance and religion accelerated during the tumultuous seventeenth century, which saw
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Björk Guðmundsdóttir interviews Arvo Pärt
Icelandic artist Björk Guðmundsdóttir (also known simply as Björk) interviewed Arvo Pärt for a 1997 BBC documentary about musical minimalists. https://www.youtube.com/watch?v=0BVACGWgN4U “In art, all things are possible, but not all things are necessary” –Arvo Pärt I can’t help but think about St. Paul’s encouragement to the Corinthians when it comes to why Pärt’s music
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Cappella Romana presents: The Arvo Pärt Festival
The first-ever festival in North America dedicated to the music of Estonian Orthodox composer Arvo Pärt will take place February 5 – 12, 2017 in Portland, Oregon, presented by the Northwest’s leading professional chamber choir, Cappella Romana. Arvo Pärt is the most performed living composer in the world. Full information. The Arvo Pärt Festival features
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Byrd Ensemble – Spanish Music for the House of Habsburg
SPANISH MUSIC FOR THE HOUSE OF HABSBURG A musical exploration of the Habsburg dynasty, featuring Spanish music written for monarchs Charles V and Philip II PROGRAM Tomás Luis de VICTORIA – Requiem Mass Introitus: Requiem aeternam Kyrie Gradual Offertory Sanctus & Benedictus Agnus Dei I, II & III Communion: Lux aeterna Versa est in luctum
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Hagia Sophia: A Space In Between Heaven and Earth
Professor Bissera Pentcheva presents Hagia Sophia: A Space In Between Heaven and Earth at Reed College Tuesday, November 15, 2016 – 4:45pm Eliot Hall 314 Free and open to the public More Information ** This event follows Cappella Romana’s residency with Dr. Pentcheva at Stanford, where the ensemble performed medieval Byzantine chant from Hagia Sophia
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Utrecht Early Music Festival Review
“For centuries Venice was politically and economically one of the most important centers of Europe, which led to a multitude of relations, for instance to the East and its dominant Byzantine culture. Due to political developments residents of eastern areas also settled in Venice, including Greeks who took their own version of the Christian faith
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Cappella Romana on King FM This Week!
Seattle’s Classical King FM 98.1 will feature Cappella Romana recordings this week in the lead up to our Maximilian Steinberg: Passion Week concert series in Seattle and Portland! Broadcast Schedule: 8:06pm — Monday, Feb 8: Sticheron (Medieval Byzantine Chant) 8:08pm — Tuesday, Feb 9: Tikey Zes: Introit of Pentecost Tune in at www.king.org Passion Week
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Replay our AllClassical FM Performance
Alexander Lingas led singers from Cappella Romana in a performance of music by Nikolai Rimsky-Korsakov, Dmitry Bortniansky, and Maximilian Steinberg on AllClassical FM yesterday (2/4), and if you missed it, you’re in luck as you can listen on the Thursdays@Three Archive! Photos from the performance: Cappella Romana presents Maximilian Steinberg’s Passion Week, a collection of
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Byzantine Music in Cyprus
Manuscripts of Byzantine chant copied through the middle of the fifteenth century show that Cyprus remained closely tied to the musical mainstream of Byzantium. The two hymns (stichera) from the Greek office for St Hilarion included on the present recording are excerpts from a longer sequence of hymns interpolated on the eve of his feast


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