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Make a Gift Today to Cappella Romana’s Annual Fund
Dear friend, Your very own Cappella Romana has had a very good 25th Anniversary year: three European tours (including visits to the UK, Belgium, the Netherlands, and Germany), a week-long residency at Stanford University in the Bay Area with recording sessions of medieval chant from Hagia Sophia, the Arvo Pärt Festival, and the group’s most
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SunBreak Review of Venice in the North
“Russian music for most of us tends to be romantic, often orchestral, always rich; or else, as sung by Cappella Romana, chant sung in distinctive style, often monophonic, serious church music. Last Friday night’s concert at St. Mark’s Cathedral was a complete change from what we have come to expect from this group. … Baroque
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Festival de Namur: Time Travel With Cappella Romana
Many thanks to Kerry McCarthy for translating this wonderful review from Crescendo Magazine! Click here to read the original review. Festival de Namur: Time Travel With Cappella Romana By Aline Giaux, IMEP reporter Cappella Romana: Cyprus, dir. Alexander Lingas Cappella Romana gave an extraordinary concert this Monday, July 4, at the Namur Festival. This chamber
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Byzantine Music in Cyprus
Manuscripts of Byzantine chant copied through the middle of the fifteenth century show that Cyprus remained closely tied to the musical mainstream of Byzantium. The two hymns (stichera) from the Greek office for St Hilarion included on the present recording are excerpts from a longer sequence of hymns interpolated on the eve of his feast
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CityArts Reviews Seattle Rachmaninoff Concert
CityArts critic Philippa Kiraly reviews Cappella Romana’s Rachmaninoff All-Night Vigil performance in Seattle: “This wasn’t a requiem, but the beautiful All-Night Vigil of Sergei Rachmaninoff was highly appropriate to the day (9/11), the occasion and the cathedral, and perfectly suited to Cappella Romana. … The Vigil is replete with colors, rhythms, textures and emotion, creating
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New MusicWeb Review for Maximilian Steinberg: Passion Week
After John Quinn named Maximilian Steinberg: Passion Week an April “Recording of the Month”, another MusicWeb International critic has been listening to our world premiere recording: “It is hard to imagine the turmoil surrounding conflict and persecution between the Communist state and the Church in this period, and even more so on hearing this tender
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Ivan Moody: From Darkness to Light
The From Darkness to Light programme is a journey in more than one sense. Firstly, it takes us from spiritual darkness (the condition which is cured, according to Orthodox Christian tradition, by metanoia, a change of heart) to light, the radiance of the Resurrection of Christ, by which mankind is made new. Secondly, it takes
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Audiophile Audition Gives Passion Week Five Stars
Audiophile Audition gives Maximilian Steinberg: Passion Week a Five-Star review! “[Maximilian Steinberg’s] music is pretty much sunk in obscurity…Until now, that is. … His Op. 13 Passion Week is his seminal work in the genre, actually more a collection of pieces selected from various Holy Week services that could be used outside of the opus
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Good Friday In Jerusalem Liner Notes
In the year 637 AD the orthodox Christian Patriarch Sophronios (d. 638) surrendered Byzantine Jerusalem to the Arab Caliph Umar, inaugurating a period of Muslim rule in the Holy City that would last until its conquest by Latin Crusaders in 1099. Although subject to tribute, Jerusalem’s Christian inhabitants retained the right to continue celebrating both
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Alexander Lingas Introduces the 2025–26 Season
As Founder and Musical Director of the vocal ensemble Cappella Romana, it brings me great joy to introduce It’s About Time, our 2025–2026 season of concerts in the Pacific Northwest. Traversing time and space, we perform music ranging in mood from quiet contemplation to joyful ecstasy, capped off by a return visit from our amazing friends The Tallis Scholars.
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Sacred Songs of Serbia — Program Notes: Part One
Sacred Songs of Serbia Serbian Chant and Church Choral Music Serbian chant is a type of monodic music which has remained in use as part of the Church’s liturgy from the time of Cyril and Methodius (the 9th century) to our day. With the granting of the independence to the Serbian Church in 13th century


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