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Machaut: Messe de Nostre Dame
Guillaume de Machaut (1300-1377) Guillaume de Machaut’s Messe de Nostre Dame (c. 1360-65) began to attract great interest during the 20th century. It is the first mass composed for four voices with a known composer, and as such, it is widely considered to mark the beginning of a new musical era. In addition, Machaut himself
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Cappella Romana Renaissance Easter in Spain and Portugal Program Notes
Renaissance Easter in Spain and Portugal Our programme presents music appropriate to Easter by some of the foremost composers of the Iberian ‘golden age’, during the later sixteenth and early seventeenth centuries. Francisco Guerrero spent almost his entire career in the service of Seville Cathedral, as a singer, assistant chapelmaster, and then chapelmaster. Seville Cathedral
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Early Music America Reviews Lost Voices of Hagia Sophia
Karen Cook reviews our Lost Voices of Hagia Sophia recording for Early Music America: “Thanks to the wonders of modern technology and painstaking work of two college professors, however, it is possible to imagine what a medieval Byzantine service might have sounded like. … The prolonged phrases flow over each other in layers and waves,
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Venice in the East
Venice In The East: April 27-29, 2018 Program Notes by Alexander Lingas From its emergence as a significant political entity in the sixth century under the rule of the Eastern Roman (“Byzantine”) Empire to the dissolution of the Republic by Napoleon in 1797, the city of Venice remained closely tied to the Greek East. Following
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Review of A TIME FOR LIFE
Today’s Oregonian posted an excellent review of Cappella Romana’s program, A Time for Life. A PDF of that review can be viewed here: Review of A Time for Life, The Oregonian, November 5, 2007 Full text also here: ‘Time’ cries out for planet’s salvation Monday, November 05, 2007 DAVID STABLER The Oregonian Staff A tenor
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LIVE IN GREECE: From Constantinople to California – Part Three
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two II – Modern Choral Settings of Byzantine Chant Under Venetian and later British rule the Ionian
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Richard Barrett joins Cappella Romana in new senior-level role
I am so happy to announce our newest addition to the Cappella Romana team, Richard Barrett. Richard joins us in a newly created senior position of Director of Publications, Grants, and Operations. FULL PRESS RELEASE BELOW You may already know him as a part of Cappella Romana’s community, as he has collaborated with us on
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OPB features Frozen Music
Read the OPB Feature on our upcoming “Frozen Music” concert with Third Angle! “Music ensemble Third Angle will team up with choir group Cappella Romana for a new project, “Frozen,” on Oct. 3-4. They’re giving a voice to one of Oregon’s most famous buildings — one you likely didn’t even know exists…” Frozen Music Sat
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Early Music America Reviews Good Friday in Jerusalem
Donald Rosenberg reviews our Good Friday In Jerusalem recording in Early Music America Magazine: “Here Cappella Romana travels back to the roots of Byzanitne chant to recreate a Good Friday service through the music of the 8th and 9th centuries. The recording shot to the top of Amazon and Billboard charts when released, and it
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Early Music America Reviews Mt. Sinai Frontier of Byzantium
Early Music America magazine has a new review for our recent Mt. Sinai: Frontier of Byzantium recording: “The music speaks to a higher self: its target is the divine and focuses on the soul in direct union with God. One of its hallmarks is the luxurious usage of time. The repetitions of notes have an
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Toronto Early Music News Reviews Mt. Sinai: Frontier of Byzantium
The Toronto Early Music News Winter 2014 issue has a new review of our Mt. Sinai: Frontier of Byzantium recording! “This music speaks to a higher self; its target is the divine and focuses the soul in direct union with God. One of its features is the luxurious usage of time. Time seems to be
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Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
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