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Scholarship
Christians have worshipped primarily through the medium of song since Christian Antiquity, creating thereby spiritually and artistically rich traditions of liturgical singing that are comparable to iconography in their spiritual and artistic stature. It must be admitted, however, that the musical aspect of Orthodox and early Catholic traditions are poorly known and even less understood.
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Excitement Building for Hagia Sophia Virtual Performance
The excitement is building for our Hagia Sophia recreation concert at Stanford this season. So much so, that just this week, two different publications have featured it. Stanford Magazine goes into detail of how the concert came to be and how it works: “The first step to recreating the auditory experience of Hagia Sophia was
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Fanfare Magazine Interviews Benedict Sheehan
Fanfare Magazine’s James A. Altena has a new must-read interview with Benedict Sheehan after the release of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: Benedict Sheehan is the artistic director of the Saint Tikhon Choir, at St. Tikhon’s Orthodox Monastery in South Canaan, PA (in the
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Classical Net Raves about A Time For Life
Classical Net‘s Brian Wigman has a wonderful new review for our A Time For Life recording: “I am contending that great religious music, really great religious music, touches us all through beauty, musical thought, and sincerity of purpose. Therefore, this project is not only a major statement of ecumenical ideals, but also a major musical
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InfoDad review for Hymns of Kassianí
Family-focused review site, InfoDad, reviews our Hymns of Kassianí as a “revelatory” release: “The excellent and expressive voices of Cappella Romana are ideally suited to introduce the music of Kassianí to a wider audience, which is just what they do in a new recording on the ensemble’s own label. Under the sensitive and knowing direction
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They Are At Rest – Program Notes
At the eleventh hour of the eleventh day of the eleventh month of 1918, an armistice was signed which brought to a close the greatest human conflict so far known to man. What had begun as a border dispute in the Balkan States of South-Eastern Europe in 1914, expected to last but a few weeks,
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Requiem for the Forgotten, Cantus Missae (Program Notes by Mark Powell and Frank La Rocca)
Requiem for the Forgotten, Cantus Missae Program Notes by Mark Powell and Frank La Rocca Josef Rheinberger: Cantus Missae in E-flat major, Op. 109 SEATTLE Friday, March 28 @ 7:30pmSt. James Cathedral PORTLAND Saturday, March 29 @ 2:00pmSt. Mary’s Cathedral LAKE OSWEGO Sunday, March 30 @ 3pmOur Lady of the Lake Parish Josef Gabriel Rheinberger
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Review of A TIME FOR LIFE
Today’s Oregonian posted an excellent review of Cappella Romana’s program, A Time for Life. A PDF of that review can be viewed here: Review of A Time for Life, The Oregonian, November 5, 2007 Full text also here: ‘Time’ cries out for planet’s salvation Monday, November 05, 2007 DAVID STABLER The Oregonian Staff A tenor
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Hymns of Kassianí in Gramophone!
The August 2021 Issue of Gramophone Magazine features a wonderful new review for Cappella Romana’s Hymns of Kassianí recording! “The booklet includes Lingas’s excellent, lengthy background essay on Kassianí, her reception and the historical context of medieval Byzantine chant, along with the original Greek texts and translations. Recognised among the pre-eminent interpreters of Eastern Orthodox
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MusicWeb International Recommends Sheehan’s Liturgy of Saint John Chrysostom
MusicWeb International critic John Quinn gives the Recommended distinction to St. Tikhon Choir’s recording of Benedict Sheehan: Liturgy of Saint John Chrysostom: “Sheehan’s music is very beautiful and inventive. … Sheehan’s Liturgy of Saint John Chrysostom is best heard as an uninterrupted sequence; such listening does full justice to his conception. However, if I were asked to


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