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Pre-Order LIVE IN GREECE!
Pre-Order Cappella Romana’s new CD: LIVE IN GREECE: From Constantinople to California Pre-release sale (not available in stores until August) Order here online. Free Shippingwhen you make a tax-deductible gift ($25 or more) by June 30. * Add your gift in the shopping cart and use the VOUCHER code: freeship.*Applies to all orders of any of our recordings. In September 2011
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LIVE IN GREECE: From Constantinople to California – Part Two
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. I – Greeks and Latins in the Eastern Mediterranean The Crusades transformed the Eastern Mediterranean politically into a patchwork of
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LIVE IN GREECE: From Constantinople to California – Part Five
As we approach the release of LIVE IN GREECE: From Constantinople to California, we’ll be sharing some excerpts from the liner notes to give you a bit of background into the programming of this recording. Part One Part Two Part Three Part Four Younger Byzantine Contemporaries Two younger contemporaries of Frank Desby who were strongly
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Release Day!!! Cappella Romana LIVE IN GREECE: From Constantinople to California available in stores now!
Cappella Romana LIVE IN GREECE: From Constantinople to California Recorded live on Paros, GreeceCR409 Alexander Lingas, Director Ancient Byzantine chants begin this 1,000-year journey from Constantinople to California, followed by musical encounters with Crusaders and Venetians, including Greek and Latin polyphony from Renaissance Crete. East meets West again at St. Sophia Cathedral in Los Angeles,
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Looking back at Cappella Romana in Greece
Now that LIVE IN GREECE is officially released, we’re taking the rest of the time this week to look back at our time on the tour when we made the recording. Cappella Romana on National Greek Television: Tour Video: Cappella Romana LIVE IN GREECE: From Constantinople to California Ancient Byzantine chants begin this 1,000-year journey
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In Communion Features Angelic Light as Recommended Reading
In Communion, a site of the Orthodox Peace Fellowship, has published a 2012 list of “Recommended Reading” and included our recent release “Angelic Light.” “The famous line from the first Blues Brothers movie: AWe have both kinds of music”—in that case, Country and West-ern—could also apply to Capella Romana. Under the leadership of founder and
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Oregon Days of Culture feature Cappella Romana Hagia Sophia Performance
Oregon Days of Culture and the Portland Tribune & Community Newspapers have a wonderful feature on the upcoming Stanford Residency concerts and the “Icons of Sound” project highlighting “The Sounds of Hagia Sophia.” Heavenly Experience: Vocal chamber ensemble Cappella Romana performs from Portland to Stanford to Greece “It is said that when the Slavic people
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Oregon Arts Watch Reviews Choral Glory
Photo courtesy of Oregon ArtsWatch Oregon ArtsWatch with a review of our recent collaboration with the Portland Baroque Orchestra — Choral Glory! “It didn’t take long for this new Oregon classical music season to produce the first truly great performance I’ve heard this fall. Friday night’s concert featuring the superb Portland choir Cappella Romana and
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The Oregonian Reviews Santiago de Compostela Concert
The reviews are in! James McQuillen of The Oregonian reviews our Santiago de Compostela concert with Marcel Pérès: “An iconoclastic musicologist with an intimate knowledge of a vast range of early liturgical song, Pérès joined Portland’s Cappella Romana at St. Mary’s Cathedral on Friday night for a concert that should rank among the ensemble’s many
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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of


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